Transcript for Duo’s Film Club - El laberinto del fauno
SPEAKER_00
00:03 - 01:04
Hola, listeners. I'm Martin at Gactro and I'm so happy to welcome you to the newest season of the Duolingo Spanish podcast, Duos Film Club. This season, we have hand picked our favorite movies to help boost your language learning. With film critics as our guides, we're going to dive into some of the most treasured films from the Spanish-speaking world. And whether you've seen the movie or not, by the end of each episode, you're going to get a sense of what makes each movie so special. Of course, we'll have our signature bilingual format so you can enjoy the episode all while practicing your Spanish listening skills. Here's how it's gonna go. First, we'll review the basic part of the thumb, then we'll share one of our favorite scenes. And to wrap up, we'll get into some fun facts that might surprise you. And for those of you who've already seen the film, we're gonna reveal an extra bonus fun fact, except it's a spoiler. Don't worry, we'll give you fair warning if you want to skip it. Okay, let's get started.
SPEAKER_02
01:14 - 01:17
I'm not a failure. Who is this?
SPEAKER_00
01:21 - 01:46
Our first movie pick is Pan's Labyrinth. It's known across Latin America and Spain as elabidinto del Fauno, and it's a masterpiece. By the Oscar-winning director Guillermo del Dodo, he's from Mexico, but the movie is set in Spain back in the 1940s. It was released in 2006, and it didn't take long for it to become a cult classic. Mostly because of its stunning visual effects, and it's fantastical storyline.
SPEAKER_01
01:53 - 02:02
I think it's a very important film. Because I like imagination and a very dramatic story. And this is the only and fascinating story.
SPEAKER_00
02:25 - 03:13
Alright, grab some popcorn, or your favorite snack, and get comfy. The show is about to begin. Okay, for everyone who hasn't seen the movie, let's start with a quick review of the plot. The movie tells the story of Ophelia, a very imaginative and curious girl who loves fairy tales. At the start of the film, Ophelia's mother is pregnant, and she is recently married Gapitán Vidal, a ruthless captain in the Spanish army, or Ehercito. So, Ophelia and her mother are on their way to move into his country estate, and it's clear pretty quickly that the captain is the antagonist, or Andagoneesta, in the movie.
SPEAKER_01
03:13 - 03:28
The captain Vidal is the antagonist of the movie. It's a cold character and very cruel, which works for the army. He is obsessed with power, control, and only defying the fascist regime.
SPEAKER_00
03:30 - 03:59
To escape her difficult new home, Ophalia starts to explore the grounds of the estate. And during one of her explorations, she meets a creature that looks like it's half human, half goat. I didn't know this before, but this creature is actually called a fawn. And it tells Ophalia that she's the long lost princess of the underworld. This mysterious creature declares that if she wants to reclaim her place there, Ophalia must complete three tasks.
SPEAKER_01
04:01 - 04:35
At the beginning, the fauna gives a little fear, because it has two different personalities. For a side, you know many things, it is mysterious and protects nature. But also in a dark side, and to be able to enter a magical world, there must be three stars. Ophelia wants to enter this world to escape from the terrible reality around her. La guerra civil termino, pero dejo mucha serie deas.
SPEAKER_00
04:35 - 04:59
OK, let's hit pause real quick, maybe some of you already know this, but there's some important historical context to this movie. The Civil War that Analara mentioned was started by Hiner al Francisco Franco in 1936. Franco let a group of fascists and other conservatives against the Spanish Republicans who wanted to keep an elected government. Franco ended up winning and ruled Spain as a dictator for four decades.
SPEAKER_01
05:00 - 05:36
In the midst of the fauna, a little bit later, in the first years of the French regime. In that period, a strong repression, especially against the Spanish-speaking Republicans. In the film, these people hide in the woods and fight against the captain and the other fascists. And there are two different worlds. The real world, with the soldiers of the Franco, and the world of fantasy, with monsters and secret powers. Discover these two worlds is very interesting.
SPEAKER_00
05:36 - 05:59
So, to recap, a young girl in Franco's Spain cooks with her brutal stepfather by escaping into an eerie fantasy world. Now, let's get into why Elabredinto del Fauno is on our must-watch list. To start, it showcases the sheer artistry and creativity of the director, the one and only Guillermo del Toro.
SPEAKER_01
05:59 - 06:32
Guillermo del Toro is one of the most famous famous Mexican women. Elaganado, tres premios Oscar, uno como mejor director y dos por la mejor película. This is an incredible name, and we could talk more and more about its movies. Guillermo del Toro is obsessed with monsters and mythical creatures. This started when he was a child, and saw the movie Frank Einstein.
SPEAKER_00
06:33 - 06:54
and like Frankenstein, he'll have it into the foundo explores monsters and the complexities of human nature. What's amazing about the doro is how he combines fantasy and horror to tell the story. It's what keeps fans like Analara delighted and spooked sometimes all at once. Here she tells us about the first time she watched the film.
SPEAKER_01
07:04 - 08:27
I love the style of Guillermo del Tor, and the story is strong. The images of the film are intimidating, and that's why when you see it for the first time, it's surprising. From that moment on, Vícomo del Tor uses fantasy to show the horrible things of life. Esta manera única demostrar una historia de un impacto enorme en el cine latinoamericano y en las películas de todo el mundo. The movie was run in Spain after the civil war, but I think it would also be possible in a dictatorship in Latin America. For example, in Argentina, Chile, Uruguay or Paraguay. Because in these countries, it is also a horrible regime. Of the entire social exploration, complicated and hard in its movies. El intenta mostrar las difíciles decisiones que muchas personas tomen para defender sus ideas y poder sobrevivir.
SPEAKER_00
08:27 - 08:38
The movie was a huge hit in Mexico and Spain, and when prestigious awards in both countries, but what makes it essential to Spanish language cinema? Here's an allowed again.
SPEAKER_01
08:40 - 09:22
The film was a great success in Mexico and Spain, and helped to recognize the age of the author, as one of the most talented and creative directors of the industry. I also think it's a very important film, because I had the fantasy and a very dramatic event. And that created a unique and fascinating story. For example, in a part of the movie, you can find it with a horrible character, with eyes in hands. It is called the pale man, and represents how some people take advantage of others, something that occurred a lot during the war.
SPEAKER_00
09:24 - 09:56
As you can imagine, Elombre Palido looks terrifying on screen, but even when the movie gets scary, every frame feels like a work of art. The autoguses rich and vibrant colors to create a sense of wonder and magic. It's like he's using every tool he has as a director, makeup, costumes, visual effects to completely transport us to his fantasy world. It's because of all these reasons that elabedinto del fauno is one of our favorite movies.
SPEAKER_01
09:56 - 10:38
In his movies, there are incredible images. The first time I saw him in delabedinto del fauno, the man who was with the eyes in the hands, or when he was with the fauno, he was very surprised. He seemed a spectacular movie. And what does it mean to be spectacular for me? Entending to see the techniques of the tour to show us a fantastic world. And, when you see this world, you can see it completely in your photographic universe.
SPEAKER_00
10:38 - 11:24
Now we'd like to bring you a learning moment from the film. Where you're going to hear the characters' Spanish accent is a segment we're calling only play. Press play. Today, we're going to feature a clip from one of the opening scenes of the film. When our heroine, the young in the sense of failure, meets the font for the first time. We chose this clip because you'll hear that the font doesn't use DOOP or USTED to address a failure. He uses the pronoun VOS, which is rooted in a much older and more formal use of Spanish. Nowadays, you'll hear a version of this Voseo in Argentina, Uruguay, and parts of Central America. Okay, here we go.
SPEAKER_02
11:28 - 11:31
My name is Ophelia. Who is this?
SPEAKER_04
11:31 - 11:36
Jo? Jo has come to many names. The names are lost.
11:36 - 11:42
And they can produce the wind and the trees. I'm... I'm... a fauna.
SPEAKER_00
11:54 - 12:37
In this clip, the font introduces himself and he goes on to declare that Ophelia is a princess from this underground realm. But she's not so convinced. She says her dad was a tailor, un-sastri. The actor who played the fun worked so hard to bring him to life. He not only wore fake horns and fake teeth, but also heavy makeup and prosthetics. He even learned a whole new language. Analada has more details that might inspire your own language journey.
SPEAKER_01
12:37 - 12:56
El actor se llama Ductions, y estuvo en 6 películas con Guillermo del Tor. Pero hay algo muy curioso. El nació en Estados Unidos y antes de trabajar con del Toro no sabía hablar español. Aprendió el idioma para poder ser el fauno en la película.
SPEAKER_00
12:59 - 13:28
Now that you've listened to a clip, I'm sure you'll want to watch the whole movie. But before we let you know, we asked our film critic and allowed it to offer us three fun facts about the film. For a segment we're calling that those kudiosos. These are fascinating trivia for behind the scenes that will surely intrigue your friends and family when you bring up this movie. Number one, it turns out that the Toro got his inspiration to make Elabirinto del Fauno from a dream that he had when he was a kid.
SPEAKER_01
13:28 - 13:40
El Toro imagino esta película mucho antes de saber que iba a ser director de cine. Él dice que el Fauno era un personaje que estaba en sus sueños cuando era niño.
SPEAKER_00
13:41 - 13:49
Fun fact number two, when the doro grew up and started developing the concept into a film, he almost lost it in a taxi.
SPEAKER_01
14:04 - 14:15
But of the Toro, he had a lot of luck, and not others too. Because the taxis were important, and he became the one. It was a miracle.
SPEAKER_00
14:15 - 14:25
Number 3. The Toro almost didn't get to make this movie in Spanish. He was offered a major deal to make it in English, but he insisted on creating it in his mother tongue.
SPEAKER_01
14:33 - 14:55
In Hollywood, he could have the double of his own, but the author wanted to make the movie in Spanish. And that's it. Ah, and the author decided to translate it personally to the subtitles in English, because he didn't trust other people, and wanted to be sure of transmitting a message correctly.
SPEAKER_00
14:57 - 15:32
And for those who've seen the movie, we have one more takeaway. But it's a spoiler. So if you don't want to hear this part skip ahead to the end or come back when you've watched the movie. Are you ready? Okay, so the movie wraps up with a scene that leaves audiences hanging. Ophelia finds herself in the long lost kingdom where she's reunited with her mother and father dressed in royal robes. And the fun is still by her side. Many people wonder was this all real? Or was it all in her head?
SPEAKER_01
15:33 - 15:56
Many people believe that the Fauna and all the magic creatures are part of the imagination of a girl who tries to escape its terrible reality. But the director of the tour says that it is not a happy fantasy. The magic world exists with the real world. And this is another reason to see this movie many times.
SPEAKER_00
16:01 - 17:32
And that's a wrap for today's episode. Thank you to our special guests and a loud-up that is Florida's. She is written about movies for some of the top magazines in Mexico. You can follow her work at AY Under Score, Anna, Under Score, Lauda, on social media. This episode was written by Thali Goldman, a journalist and writer based in Buenos Aires. And if you want to get a head start for our next episode of Doos Film Club and watch the movie before it's released, we'll be exploring Relatos Salvachis, a thrilling dark comedy from Argentina. As always, we would love to know what you thought of this episode. Let us know by email at podcast at duolingo.com or you can send us an audio message on WhatsApp at plus one 703 9539369. Don't forget to say your name and where you're from. If you liked this story, we would love it if you share it. You can find the audio and a transcript of each episode at podcast.doolingo.com. You can also follow us on Apple Podcasts or on your favorite listening app so you never miss an episode. With over 500 million users, Doolingo is the world's leading language learning platform and the most downloaded education app in the world. Doolingo believes in making education free, fun, and available to everyone. To join, download the app today or find out more at Doolingo.com. The Duolingo Spanish podcast is produced by Duolingo, and other than the media, I'm the executive producer and your host, Martína Castro. Gracias por escuchado.