Transcript for #779 - Andrew Dice Clay & Joey Diaz
SPEAKER_02
00:00 - 00:07
Brownies are 180, but two brownies are 90 of these, and you've got these at 125s.
SPEAKER_01
00:07 - 00:10
Because my kid loves that a little bit.
SPEAKER_02
00:10 - 00:21
We're live. We're live too much. You want one of these? No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
SPEAKER_01
00:28 - 00:32
This is I take one loves a sleep for three days. This is one. This is one. This is one. This is one.
SPEAKER_02
00:32 - 00:33
This is one.
SPEAKER_00
00:33 - 00:52
I don't know if you know but like an effective dose is 20. And what is he poppin? It's just popped to 200. And in fact, no, it's 20.
SPEAKER_01
00:52 - 00:56
Oh, the fuck. Yeah, he'll drive well. Well, I can't, I can't smoke. I can't, I can't smoke.
SPEAKER_02
00:56 - 01:07
I can't, I can't, I can't, I can't, I can't, I can't, I can't open up with three of these. I can open up with 600 milligrams. That's so insane. It just smells right off the fucking way.
SPEAKER_00
01:07 - 01:08
I know idea how insane it is.
SPEAKER_02
01:08 - 01:19
I know that night like a baby. I put that mask on. I sleep like a fucking baby. Sometimes I get paranoid and my sleep and I wake up at three in the morning. I'll tell you where I stay away from the edible.
SPEAKER_01
01:25 - 02:09
Because like I like to smoke at night, right? All right, so I get high one night. And when I was at this one place, they gave me some edibles. They gave me a bag of popcorn. Okay. So I'm going to stone that and I just want something to eat. So I open up the popcorn. Okay. Now, the next day, Valerie, she can't figure out why I'm not waking up. I slept for 19 hours. And she found the rapper under the bed. She was starting to panic. Like, what happened to him? I slept till midnight the next day. She goes, she went so bad. I said, I didn't know I was stoned out. I just wanted to meet. It was popcorn. I didn't think they really like, had they even get it in the popcorn?
SPEAKER_00
02:09 - 02:29
They make you with the butter. These cannabis butter, they pop it in the butter, and then they might even sprinkle some butter on top of it, some cannabis butter on top of you up. They got through. So good. They had a benefit, a pot benefit at the store, and they were handed out those bags, bags of that popcorn. It was fucking death. Death.
SPEAKER_02
02:29 - 02:33
You're open it up, it smells like pure weed. You're fucking weed.
SPEAKER_00
02:33 - 02:34
I felt so vulnerable.
SPEAKER_01
02:35 - 02:41
I just love how open it is now. That's great. We could talk about it. You're popping them like tech packs.
SPEAKER_00
02:41 - 02:46
But dice not everywhere else. If you try to do this in Texas, they'll fucking do it.
SPEAKER_01
02:46 - 03:09
Of course we do. But I have no reason to be in Texas. You don't do shows in Texas. I don't believe in it. No, I've gone to Texas. But like, you know, in Vegas, it's great. Now they're opening up places. Yeah, they got five stores, right? They shoot. They have a content of them. They normally bring their own stuff. You know, you know, if I go to New York, I'll bring my own stuff.
SPEAKER_00
03:09 - 03:25
It's one of the easiest businesses. And at the end of the day, businessmen want to be businessmen. They want to make some money. And they look at this thing and they go, hey, do you much fucking money, they're making in Colorado? They made more money in taxes in Colorado from weed than they did alcohol. That's never happened anywhere.
SPEAKER_01
03:25 - 03:29
That's a fucking definitely take weed over alcohol and it doesn't.
SPEAKER_00
03:29 - 03:29
Oh, 100%.
SPEAKER_01
03:29 - 03:53
Because you know what I always say, like with weed, like as stone as you are, let's say God forbid, that's some kind of emergency. You know what I mean? You just throw water in your face. It's gone. It's not like alcohol. Right. You know where you don't know what you're doing. Right. Right. You know what I mean? You could perform on the weed. You could hang on the weed. You could hang more on the weed. It feels better. Listen, you could eat banging on the weed.
SPEAKER_02
03:53 - 03:59
You eat one of these stars. Ain't no water going to help you. You're eating like a pint of this stuff.
SPEAKER_00
04:02 - 04:04
Yeah, he's talking about smoking pot.
SPEAKER_02
04:04 - 04:17
It's not working. I'm already. I go home at night after doing calming. I'm so fired up. You're wondering that comes me down as one of these age bombs. And a fucking joint of death like I'm smoking repypload.
SPEAKER_00
04:17 - 04:20
Oh, God. It's a steric home. Have you ever seen his periscope show?
SPEAKER_02
04:21 - 04:26
No, it's the best thing I do later either more than I just to go out there and start giving advice and stuff.
SPEAKER_01
04:26 - 05:11
I guess that trouble for doing it. I was doing a periscope with wheels. And I get a call from Bruce. What are you guys doing? Because we got all stoned out. And now we're in the bathroom of my hotel room. We turned it into a steam room. And you could hardly see us. You see my fogged up fucking glasses. You know, and I get a call from him, he's gone, what are you guys doing out there? I go, no, it's a new show I'm doing, the Paris Coppicle thing, you know, and he goes, dispending millions of dollars from Showtime to film this, and you're doing it for nothing, get it off the air. You know, right, Bruce, then you get, I got a whole thing happen.
SPEAKER_00
05:11 - 05:14
That's ridiculous advice. Why would you take that off the air?
SPEAKER_01
05:14 - 05:22
Because we were first going to film my series. You know, and they go they're writing episodes about this. You can't just power scope it.
SPEAKER_00
05:26 - 08:10
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SPEAKER_01
08:10 - 08:19
You got to understand, this guy's got a history you would love. You know, because some of one, he built the whole career again.
SPEAKER_00
08:19 - 08:25
But you can't tell someone to not do periscope, or they're not do Twitter, but they don't have fun understanding.
SPEAKER_01
08:25 - 08:34
When a network's putting up millions of dollars, the first film is show about these things I do. It's only getting it up on the air.
SPEAKER_00
08:34 - 08:38
It's going to have a fuck yeah, of course. Can you get people excited about seeing you?
SPEAKER_01
08:38 - 09:28
Well, the only bad part was like, I had this, this, this fight with wheels. Like, when I attack him in the room, and we're just going, you know, I go, he goes, you know, I'm a wrestler, you know. And like, yeah, okay, you know, I'm not worried about it. And I'm having Eleanor do the filming where I come into the room and I, and I jump him on his bed. And he actually got me. He flipped me up like a professional wrestler. He legitimately got me. Do you know how angry that got me? It looked like an asshole. Did you tap your honor? Did he just pin you? No, no, he pin me. I was done. Like he really knows how to do that shit. He's like a genius with certain things. Like I would understand if you could do it. I get what you can do. But I'm going to his wheels. There's no way he's on the bottom already. I got him. And he just flipped me.
SPEAKER_00
09:28 - 09:32
Like a toy. See now, if you film that and put that on YouTube, there we go.
SPEAKER_01
09:32 - 09:35
I put it on the... the Periscarpical thing.
SPEAKER_00
09:35 - 09:37
Why would you ever take something like that down?
SPEAKER_01
09:37 - 09:41
Because I got yelled at. I always get it up.
SPEAKER_00
09:41 - 09:47
I know that way of thinking. I know the way of thinking, but the more of you, the better. It's just going to make people want to see you.
SPEAKER_01
09:47 - 09:51
It was funny fucking shit. Yeah, it was funny.
SPEAKER_00
09:51 - 09:59
I remember when you were doing that. Sorry, I remember when you were doing that filming at the store. You were doing that fucking years and years and years and years ago, you do little sketches.
SPEAKER_01
09:59 - 10:12
No, well, I want to take all that stuff now and just cut it up. and do like little three-minute things and put it on that funny-a-dye stuff. Yeah. Because everybody was- you weren't in it. Everybody was in it. Everybody played a part.
SPEAKER_00
10:12 - 10:13
Bob and me.
SPEAKER_01
10:13 - 16:27
He's a little shitty thing to do with the foreign comic. What's your brandy? We'd call him the foreign comic. You know, and it was just this crazy... But I remember you coming over to me one night and you got dice, can I ask you something? Because I was using the comedy store like a set. You know, like I'd be filming. I changed all the lighting in the kitchen. I put the red lights, blue lights, for filming. Right. I was doing it for a year. And waitresses would come in to get like drink orders. And I go, I can't have you in right now. We're filming. You can't be in, you're in my shot. And everybody's asking like, man, it's just like, what show is this? That was no show. But everybody was in it. Steve Renazizi wasn't it? My black was it? My black? You know how I become friends with my fucking black So, for whatever reason I come over to this guy, he's sitting in the booth in the kitchen, and I go, hey Mike, you wanna be in the show, and he's gonna watch show, I go, it's a reality show, and reality wasn't really happening yet. It just wasn't happening, so people like, well, what is, I go, you just do what I tell you to do, just say what I tell you to say and do what I, I said, so he goes, yeah, I wanna be in it, you know, I go, okay, we're gonna go to the top of the belly room, the steps, I'm gonna throw you down the steps, okay? And I gotta get a couple angles, so we'll have to do it two or three times. And he goes, wait a minute, he goes, what do you mean you're gonna throw me down the steps? I go, yeah, from the top. So you just go with it, you know, just fold down the steps. And he goes, I don't want you to do that to me. Like, why not? What's the big deal? It's what you do. He goes, what do you mean it's what I do? I go, aren't you a stuntman? And he goes, where'd you hear that? I go, the comics told me that that's what you do besides comedy. You're a stunt. He goes, I'm not a stunt man. I don't want to be thrown down. I want to be in it, but I can't have you just toss me down a full flight of steps like that. I'm going to get hurt. So we had to do it in pieces, you know, which like a fake fall. But no, he would go like halfway, and then I'd go to the bottom of the steps to get the rest of the fall, and then I'd try to like kill him with a chair. And Ari should feel jumps on me at the right moment to stop me from killing this guy. Just so I could do, just so I could do a line from a Bronx stair where I'm on top of him now, and I go, I did this to you. And it goes, but what will that mean? I go, don't worry about it. When it's edited, you'll see the whole series, the image. Yeah, I just do what I tell you, because I go over the comics. I go, right, look that way. And in four seconds, say, that guy is going to have a fucking problem. And he goes, but there's nobody there. Don't worry about that part. That'll be somebody on the other end at another time. And that's how I would piece though. So I want to take these tapes. Just have some some editor do like three minutes because it was I did it for for two years. They come to my house for barbecue. It wound up fighting Eleanor gets into a fist fight with Steve Renazee's wife where he screamed and knocked the shit out of her. She's got her up against the garage because she said Eleanor like you know, is like the house is filthy. You know, an Eleanor screaming at me in the kitchen going, she said that when I'm so fucking nice to her, I'll handle this right now and Eleanor comes out at the back yard. Now the comic sitting there, I don't know, this is gonna, and she goes, hey, bitch, this is to Steve's wife, right? And she chases as slams her against the garage. That's beaten as shit. I don't know, it was a problem. And this is Mike Black and Dave Taylor and Steve Simone and my own kid screaming, killer. Just fucking kill her! And the end of that episode is Dave Taylor, you know, at night sitting around going, do you understand? Do you know why Eleanor did that because girls like Tracy are taking guys like you from Eleanor or her life? And everybody's got, and Steve Simone's going, yeah, the way Elano was hitting her, like you could just feel it, you know, like raging bull, like she really wanted a damage to her. Yeah, it's hysterical. That's why I would have barbecues just to film. It was non-stop, and he comes over to me at the stalling. What are you doing exactly? You know? What's a show? What show? Where is it? Where can I see it? I don't know. There'll be around. You still have the footage. All of it. Hundreds of tape. Hundreds of hours. You know, to fucking poorly sure, you know, stops me at the comedy store. You know, because my kids were in the show and they were like seven and eleven at the time. It's when I first broke up at their mom. So they'd be at the comedy store with me. You know, police sure comes over and I'm filming this fight between Ari Shafir and Bobby Lee, where, you know, Ari's like throwing boxes of, you know bottles of a of a bobby's head and everybody's cheering to kill bobby you know and poorly comes out because how many times they're gonna tell you get these fucking kids out of the comedy story and he says it in front of Dylan who's a kid so I tell see Steve Simone I said take the on outside because that's a Vietnamese. You know, so I figured I might have to really damage this kid. But yeah, it was going to hurt him. You know, but I'm going, all right, then I'll get sued. So I just lay into him and I throw a glass at the wall, you know, to throw into the garbage and I leave. The next day, Missy calls. She doesn't just ban me from the comedy store. She bans my children. I call you the youngest kids, David. If you've never been banned from the store, it's not a good thing. And you're the youngest to get banned. You're not even eight years old. You know how good this is for you? And they're going, but we're not allowed to go back in. I got don't worry. It'll all be straightened out.
SPEAKER_00
16:28 - 16:32
You know, who hasn't been banned from the store? Exactly.
SPEAKER_01
16:32 - 16:37
It's the greatest, it's like a badge of I've ever been banned. After the shit, you got, what, what was the fight?
SPEAKER_02
16:37 - 16:41
You had a couple weeks ago. I would fuck open. No, I didn't get banned for that.
SPEAKER_01
16:41 - 16:45
You don't talk about that at all because I heard fucking old.
SPEAKER_00
16:45 - 16:49
Did you almost get into it while Willie Parsons way back in the day?
SPEAKER_02
16:49 - 16:53
Oh, he said some shit on the manual. Well, you know, he was just, it was just crazy.
SPEAKER_01
16:53 - 16:55
Look how nice and calm he is now. Here's the problem.
SPEAKER_02
16:55 - 17:08
Here's the problem. Now I see, when we got there, we were the young guys. And some of the older guys were on the way out. They didn't like that. Right. So it was in a while that would something would, or something would happen, you know, and the same thing.
SPEAKER_01
17:08 - 18:41
And it was like guys that would have for 10 years already and nothing happened. Yes. There was a few of those guys. I'll tell you a great, uh, Coco's story over here. So we just became friends like the first year I know this guy, you know. And he would tell like me about every restaurant in the United States. I don't know. He knows every restaurant where it is, what they serve, if it's good, bad. But one night I come outside and he's getting into it with some customer. Okay, and he's sitting on the back stairs, you know, and I'm just watching because I wouldn't want to really see anybody get hurt, you know. But, you know, He thinks differently. Joey thinks a little differently. But he doesn't just want to hurt the guy. What he does, he gets all heated up. And he grabs one of those tall glasses from the comedy store. And he breaks it. Like he's still in the middle of Cuba with the shop edge and I'm going Joey, what are you doing? I go, put the glass down. And he really wants to like stab the guy in the throat with the guy. He's a customer. He's just a fucking customer. And he starts laughing and he throws the glass in a fight was all of a thing. Because he's gonna put the scary in the hospital. Because the guy said something about his act. You know, they're stupid customers. I seen you go after him. It's the funniest shit in the world. I saw him. He's like, I don't even want to say what you were doing. It was nuts. But you were like trying to get to this guy over the crowd outside on the side.
SPEAKER_00
18:41 - 19:01
That was the guy that came. He threw something on him. He threw something on him. He came up to the stage. He came up to the stage threatening me. And he said he was going to wait for me outside. That guy was an asshole. He was heckling. He was heckling somebody before me, too. Something he was real mean to somebody before me. I don't remember who it was.
SPEAKER_01
19:01 - 19:11
It's just the violence involved in comedy now. It's a stare. Well, this was 20 years ago or whatever it was. Yeah, but it's been going on that long and it's been a nice film.
SPEAKER_00
19:11 - 19:23
There's always gonna be drunks. There's always going to be drunk. I can't take the drugs. There's some people that are drunk in their fun. They're great. And there's other people that are just. They're gone. They're gone. They're gone.
SPEAKER_02
19:23 - 19:28
You're not the same. You do a tiny clock show on Vegas. You're asking for fucking trouble.
SPEAKER_00
19:28 - 19:33
How about if you do a midnight? Remember those river air shows? The people that call my God.
SPEAKER_02
19:33 - 19:34
That's that's.
SPEAKER_01
19:34 - 20:20
Yeah, now I just, if somebody's really like that, I just throw them out of the room. Yeah. You know, whether I'd do it. No, but I'll say really, I go, I'm not making believe I don't like you. Yeah. I go, this is my real emotion. I go, I have a hatred for you now. I go, you gotta leave this room now. And then they think it's a joke and there's like two security guards stand behind them. I remember one guy looking going, you kidding, right? I'm kidding, trying not for what? I go, you talked. There is no talking in here. Like it's a classroom. It's just all in effect. And I know how you perform and I know how you perform, but I really get mad when they don't care what's going on with the performer on stage.
SPEAKER_00
20:20 - 20:45
Japan was in the store the other night. Some kid was yelling at him. Interrupting, yelling shit out at him. Just yell at him. Just yell and chill. What about this? What about that? Just different questions out of him. And finally, people just started going shut the fuck up. Like one guy yelled it and then it happened to be me. But some other people in the room yelled it. And it just got to this point where people were like, stop this. But it should never get to that point. The management should step in, right?
SPEAKER_01
20:45 - 20:50
The bounce is, uh, it's a comedy.
SPEAKER_00
20:50 - 21:06
Yeah, that's the thing on the floor. The one thing about the story that's always been amazing is how many people who worked there who eventually became comics Joey are rather dunk in but um Because love draw soul with the fucking pluppin when people go running from the room.
SPEAKER_01
21:06 - 21:36
Does he still do the fucking thing with that? Where he's like starting to pray Don't give the better way. Not given the better way. I'm just saying what happens to people. There's nothing better than sitting in the back of that room when people start getting frightened because of what the puppet was happening through the puppet. and they start running from, that's it, to leave the store. It's the greatest moment. And smash way ahead against the wall, those moments.
SPEAKER_00
21:36 - 21:48
Somewhere out there, someone has the original puppet. Somebody stole it, right? It's the original puppet. Really? Yeah, the original puppet, guys, the new ones, actually, better than the old one now. So, you know, there's a little bit of a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo.
SPEAKER_01
21:48 - 22:00
There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. There's a hobo. You're fucking kidding me with this here over here.
SPEAKER_02
22:00 - 22:02
No Papa was fucking scary.
SPEAKER_00
22:02 - 22:08
Do you remember that twilight's own episode with the guy in the puppet the puppet was fucking evil?
SPEAKER_02
22:08 - 22:19
It was great. It was creepy. No, who was who was the actor? It wasn't burges married. He did the library with the glasses when the right the end of this glasses break.
SPEAKER_00
22:19 - 22:31
Yep. Yep. He can't really. Who was the guy from the on couple? Jack Klugman did the pool hustler. Yes, he did. And Jonathan Winters played the other guy. The dead guy comes back to life to play him.
SPEAKER_02
22:31 - 22:33
But that dummy one was one of the most disturbing ones.
SPEAKER_00
22:37 - 22:49
You know, because the dummy would like wait for everybody to leave and go, come on, you could rob her. The person's just right over there. Just tell me how it, like, whoa, what did they want?
SPEAKER_01
22:49 - 22:51
They would change the language a little.
SPEAKER_00
22:51 - 22:52
There's talking.
SPEAKER_01
22:52 - 22:53
There he is.
SPEAKER_02
22:53 - 22:55
We're filming the cinema.
SPEAKER_01
22:55 - 23:11
Yeah. So people know mine, right? Yeah, we're going to talk about it too. Yeah, I'm dice. Anyway, just in case, the system now you are. You think the greatest show, you know, you just get in it. I've done this before. You just get in it.
SPEAKER_00
23:11 - 23:16
Yeah, it's well, it's like, open Anthony used to do their show. There's no fucking around. Yeah, it's just having some fun. I love it.
SPEAKER_02
23:16 - 23:20
I love my people asking questions and shit interview. I want interview.
SPEAKER_00
23:20 - 23:21
Yeah, I just have some fun.
SPEAKER_01
23:21 - 23:25
Oh, no, I don't think we ever really did a formal interview.
SPEAKER_00
23:25 - 23:33
I wouldn't know where to start. You two, friendly to me and two influential. I can't believe you. Yeah, we became the friends who we are.
SPEAKER_01
23:33 - 24:34
Yeah, I want you to turn into Joe, Rogan. No serious. Like from the time you came to the store, like you were figuring it all out. And you became this, I remember coming over to Joe. He has a hit fucking sitcom on the air. And I'd always see him at the comedy store. I come over to one night and I go, how come you're here? Like you have a hit show, like why aren't you on the road? It was gone. Yeah, you know, there's a lot of fucking money on the road for a guy that has a hit show. You know, and that's I think when you started doing the road. I also told it to what's his face? The guy Who's the guy that works with Whitney Kamalot? Chris Alia? Yeah. So, you know, I would see Delia like in the coffee bean all the time and yeah, he crushes on stage. I go, don't you go on the road? He goes, no I'm writing material this. I go to the road. Do you have a hit show like what's wrong with people?
SPEAKER_00
24:34 - 24:40
Yeah, I always thought those games I was still doing stand. They're both the goal for a lot of guys was always to get a TV show.
SPEAKER_01
24:40 - 25:33
Well, Ari Shaffir, I scream at on the phone. Like when he started doing his show now on Comedy Central, I'm on the phone with them. This is like the first season. At the beginnings, I call my congratulate on my go. So do you know your next two or three moves, you know, if the show likes thoughts taken off? No, I haven't really thought about it. I got why not? You're waiting 15 years for this. You talked to me about not having money to pay your fucking rent. Now you have a show. I don't know, maybe a club tour, maybe record an album, maybe do a comedy central special after that. You know, something like that. So if they happen to take the show and flushes in the toilet after the first season, you have a career because now people know you. What? They're like fucking retarded.
SPEAKER_00
25:33 - 25:36
They're retarded. Well, Ari does a lot of stand-up.
SPEAKER_01
25:36 - 25:40
No, now he is. He called me recently and he told me all the shit he's doing.
SPEAKER_00
25:40 - 25:45
It was a hundred percent because of you. I started doing the road. You know? A hundred percent. You remember where we were? We were staying there.
SPEAKER_01
25:45 - 25:56
Because it was actually. I don't even want to go back that far because you've done and come so far since then. But it was like, whenever I see a comic doing well, I'll always look to like, oh, look, this is what you got to do. Like, you're nuts if you don't throw it.
SPEAKER_00
25:57 - 26:44
Well, it meant a lot to me because when I was a kid, way before I got into comedy, I was a fan of yours, and I was listening to you with this girl that I was dating once. In the car, and we were listening to it on the cassette, and they're fucking Hollywood. We were Hollywood, and this girl thought you were the funniest thing ever, and that was what made her cool. She wasn't up tight, because a lot of people, back then, the people that don't realize, sort of the course your career's gone, dice was unquestionably a different thing. I give you the biggest comic ever when I was a kid, a hundred percent. Like when you were filling up arenas, there was a different thing going on where people could repeat your shit. They could say, what's in the ball, bitch? And you would see 15,000 people going, what's in the ball, bitch?
SPEAKER_01
26:44 - 26:46
It's so fucking crazy.
SPEAKER_00
26:46 - 26:47
It was a different thing.
SPEAKER_01
26:47 - 27:26
So, you know, frustrates me when I talk about the arenas with anybody. you know like you know they always bring up the garden which was an honor you know to play it's the most famous arena ever and I did the two nights there but but I always tell these interviews I go to you understand I did over 300 sold I go the first tour alone was 26 cities over 300 of these, and they'd be gone in a matter of a couple hours before the Facebook, before Twitter, before fucking followers. Like, oh, people did was follow me into the fucking arena. I go, I wasn't tweeting and arguing with fans on Twitter, you know.
SPEAKER_00
27:26 - 27:40
Well, it all became a thing, you became a thing from Ronnie Dangerfield. It was so fast. It was gigantic. And then this is all word amount. But my point being, then you hit, there was a lot of backlash against you.
SPEAKER_01
27:40 - 29:53
It was so insane. It's starting again. It's nuts. Really? Like, yeah, I'm doing some interviews. This one guy, I don't want to say what newspaper, because it's all giant papers that doing these profiles, I mean now, I'm going to New York next week, I got to sit down with the New York Times. It's like crazy shit again. This is like, the build-ups since I started doing a show from Montarage to, you know, to the Woody Allen thing, and now Scorsese, and now my own show. It's like, you know, number one working with, you know, guys like Woody and Scorsese, he was unreal. Yeah, those are two questions. But this one guy doing a profile piece comes and he sees me in Vegas at the left factory where I've been doing like a little residency to stay like sort of low key till this hits now. And I'll announce dates later on the show where I'm performing, but anyway. And I really want that to give this guy a real show. And the way I perform now is very, very theatrical. It's all acted out. You know, I sit in a chair, I'll stare at a guy that told, for guy goes, I'm married 32 years. I'll actually fall down onto a chair and just look at him like, you're kidding me, right? I've been married also a lot. but not to the same one, like I break it up. You throw a redhead in, you throw a grenade in, for eight years. The same thing, I go, you know, we might be coming friends now, but I gotta tell you as your friend, in a lot of ways, you hate yourself. I don't hate myself. I go, you don't hate yourself. You fucking the same girl for 32 years. What does that tell you? You admitted to me, you never had enough hair. Who does that in life? Who doesn't want to go out there and stick every fucking wet box? They could get their hands on on the tip of your fucking dick to the roots of your balls. Just for the gulf. And even if you get caught, you flipped the switch on your chair. You go, I did this for you. You were busy with the kids. You were busy with your new business. I want to stay wet. Every load she took, I was thinking of you. Now go make me a fucking steak. I don't want to talk about this no more.
SPEAKER_00
29:53 - 29:57
So there's nothing. What's that? The report of sees this?
SPEAKER_01
29:57 - 31:44
Yeah. And guess what? So after the show, he says to me, but obviously my show is a goof. It's kind. It's like, it's obvious. And he goes, guys, now that you're being looked at it, it's just like great act and now, why would you perform? And I'm like, you can't of me, right? I go, it's what I do. It's what I love to do. I love to affect people. I like people to walk out of a room going. I never seen anything like that. you know like you know when you're looking at a guy in the crowd who's sitting with his wife and he's with his best friend okay double date And I go, let me tell you, you got a best friend and he goes, yeah, this guy in friends with him for 25 years. He's your best friend. Did your best friend ever call you one time? Because you got a hot look in wife. She's got the big kettleball fucking tits hanging down every holiday. He gets to hug a little too close, maybe. When was the last time your best friend ever called you and said, last night, I jerked off thinking about your wife. And the guy goes, no, I go never, right? Because he's really not your friend. I would call you. I would tell you, last night I wheelbarrow fucked this animal. She's walking on a hands picking up water with a teeth for me. You know, I go and then you bang her the way I tell you and it works out like my scenario. I give you the next scenario. That's a friend. Not a guy hugging your wife. Never turns around and says, oh, I love your wife's fucking ass. To wait those pants split up fucking crease between a legs. You might think your wife is ugly because your friend never takes time to tell you how many loads he drops. Just thinking about her. So don't tell me he's your best friend. He's your worst fucking enemy in the world. I'm the friend.
SPEAKER_00
31:44 - 31:48
It all makes sense. And you get negative feedback from this. That doesn't even make me sense.
SPEAKER_01
31:51 - 32:06
No, because it's all done as a goof. Of course. Like the guy's going, well, why would you do that material? I go, well, what should I go on stage and go? You've been together with a woman 32 years. Obviously, you love your family, you raised beautiful children. Nobody wants to hear that.
SPEAKER_00
32:06 - 32:52
But here's a question. Why does it have to make sense? Why can't it just be funny? That's my whole life. I'd like that. You know, I've always said that like when people ask me like what's your favorite kind of comedy? Like I I would just want to laugh like when Joey is saying the most ridiculous shit I laugh harder than anything I've ever heard of my life. It doesn't have to make sense to me. He's in a coma, but it's not fine. But it's like How can movies can be ridiculous? Ridiculous in what they're showing you. Ridiculous, right? Especially violent. I mean, think about how many violent movies are all. Every fucking couple months or some crazy movie where a hundred people get shot, it's constant, right? But a guy on stage just talking, but even in a completely absurd ways about sex. Why is that pissin' people off?
SPEAKER_01
32:52 - 32:59
But even in comedies, and it really started around the time they came, they came with, uh, what's that?
SPEAKER_00
32:59 - 33:01
I saw with those glasses on too. Exactly. It's beautiful.
SPEAKER_01
33:01 - 33:09
You know, but the thing is, like, it started with, uh, that, uh, that Mary movie that Matt Dillon did years ago, so she's got a low dribble fan.
SPEAKER_00
33:09 - 33:10
Yeah. Come on.
SPEAKER_01
33:10 - 33:16
And everybody's hysterically laughing. Yeah. That's okay. But if you say it as a comic, it's like, why would you say that?
SPEAKER_00
33:16 - 35:46
Especially the way you say it. Because it's what I do. But the way you're saying it's so, it's so over the top. It's amazing. It's so absurd. I don't understand why people don't just think it's ridiculous. But the last time I went to see a comic, it was me and Norton and Anthony Kumiya and Dr. Kelly and Brian Redband, you weren't there, were you, James? And we went to see you at the river. It was awesome. I had a fucking blast. I had a great time. Just sitting there as an audience member watching, and some of the shit you're talking about is so preposterous. It almost makes me angry that anybody would have an argument with you, like saying something wrong with what you're saying, because you're seeing shit that's so great. Like you were talking about someone, how your kid could catch gay, by the way, you bang your wife? This episode is brought to you by Crash Champions. There's nothing worse than being overwhelmed by an unexpected car accident and not knowing what to do next. But as bad as a situation like that might be, Crash Champions is here to answer the call turning your bad day around with trusted collision repair. They'll save the day by getting your vehicle back on the road quickly, safely, and looking like the accident never happened. Next time, a wreck ruins your life, remember to trust Crash Champions. They will answer the call and make it right. Ask your auto insurance company about Crash Champions, visit CrashChampions.com to find a location near you. This episode is brought to you by Vivo barefoot. Let me tell you something you might not know. Ever wondered why your feet are shoe-shaped and not foot-shaped? All that fancy underfoot technology and conventional shoes is actually making our feet weak and shoe-shaped, which ultimately restricts natural foot function and can cause all sorts of injuries in your knees, hips, back, which all funds an orthotics industry worth over $3.5 billion to question is, how do we break the cycle? The most advanced technology ever to be put in a shoe is the human foot. It's a biomechanical masterpiece. Meet Vivo Barefoot. They don't make shoes. They make footwear that lets your feet be feet. Naturally, studies show that wearing Vivo Barefoot improves balance and increases foot strength by 60% within six months from wearing them.
SPEAKER_01
36:02 - 36:21
But also, but also now I'm getting, I'm getting question, whose dice, who's Andrew? So you know what the line is? We share the same foot because I wear the fingerless gloves all the time. So I go, we share the same fucking closet. What am I going to tell you? I don't know how to separate the two for you. Like, man, they go crazy from that.
SPEAKER_00
36:21 - 36:44
Yeah, well, they don't want to allow that for some reason. Like there's also to weird art forms that they allow people to act differently, acting, you become a character, and then you're who you are off stage. But in comedy for some reason, they want to combine the two. Always. And sometimes it is. You know, like some guys are exactly who they are.
SPEAKER_01
36:44 - 37:01
But like even now, I'm self deprecated on stage. I talk about getting old or this and that, all that shit, you know. Right. Years ago, I never did any self deprecating stuff. Right. You know, I mean, it's just, it just wasn't who dices. Right. You know, dice was supposed to be just a comedic hero for people. That's it.
SPEAKER_00
37:01 - 37:06
And dice came out of your act where you used to do a bunch of different impressions.
SPEAKER_01
37:06 - 37:07
All the impressions.
SPEAKER_00
37:07 - 37:15
You have a fucking fantastic Stallone. He's got like a great revolta. He's got like a great revolta. He's got to work with him.
SPEAKER_01
37:17 - 37:21
Yeah. The joy guy, when I saw him in grudge matches, I was like, that's fucking great.
SPEAKER_02
37:21 - 37:31
Do my heroes. And you also do a mean as, uh, revolts. Who was, that was one of the guy. Oh, a Pacino in the, uh, in the, uh, the, uh, the, uh, the air, no air grub.
SPEAKER_00
37:31 - 37:35
No air grubberts. Air grubberts back when the, when air grubberts was famous.
SPEAKER_01
37:35 - 37:49
Charlie, they took my fucking thumb, Charlie. Sometimes you've got to whack him. You say you put your coat on and you don't say good night to nobody. What a great place.
SPEAKER_00
37:49 - 37:54
And that's just a humble one. That was a great fucking movie.
SPEAKER_01
37:54 - 37:56
That was a great movie. Do me a favor, don't cook.
SPEAKER_02
37:56 - 38:31
The context of my balls is on. Oh, you can't believe you remember that. I'm driving by the communist door one afternoon. Just looking for a free lunch. See, maybe someone on the sandwich out of the communist door. And I'm rehearsing in the original room to take. Go, I pull it down the parking lot's kind of bad. Well, there's people here, one of the afternoon. This has to be 99. And I walk in and I hit a piano. And I look in there and there's like 20 old people and Jeff is on stage playing and dices on, and he's doing this fucking thing.
SPEAKER_01
38:31 - 38:31
Say where I roll.
SPEAKER_02
38:31 - 38:36
Because I forgot the contents of my balls is on.
SPEAKER_01
38:36 - 38:40
You're fairly sick like famous standards. Oh my god. How in the bathroom?
SPEAKER_02
38:40 - 38:48
What are you hearing? The tens of my balls is on your face.
SPEAKER_00
38:51 - 41:08
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SPEAKER_01
41:09 - 41:36
This can't take my cock out of you. Your box is too good to be true. Yeah, Frankie Valley really liked that one. You even asked me, like, why would you do that to my most famous? He did? I go, it's historical. I love you. You know, I could have been swear in a God, but I wanted like a bow.
SPEAKER_00
41:36 - 41:39
Don't you think that the blowback is less ridiculous now, though? Oh, no, 100%.
SPEAKER_01
41:39 - 42:36
You remember when like they were embarrassed by the shit they're saying about me with the acting? See, when you sit there and go, you know, when when when I when you came to know me, I was filling out all those arenas and all that shit. Like I take a lot of pride in that because I know I said a standard for comics that today when I see, you know, like Louis C. K. Call me before he went on at the forum. You know, it's nervous. It can't play in the guy. It's 18,000 people. Right. And I'm going, Louis, you don't have to do anything other than who they've come to love. Don't exaggerate it. You don't have to just be you. You know, because it's so many people, you know, but what I love is that that some of the guys have filled those places now. And I go, it's a course I took the heat for it. You know, and I don't mind that history now. I didn't mind it back then, but I didn't realize the effect that would have on the future of comics.
SPEAKER_00
42:36 - 43:15
Well, it was very important and it was overlooked by a lot of people who were, you know, the talk about free speech all the time. Like what happened to you was, oh, really overlooked because there was, it wasn't that what you were doing was anything more crazy than anything that was in the movies, anything that was in literature, anything that was in books or magazines, even articles. What you were doing was just a really extreme version of Stan of comedy. That's a good one. That's a good one. That's a good one to post. Really fun to watch. And some people decided that your character promoted, you know, in the most ridiculous ways, promoted misogyny or hatred against gay.
SPEAKER_01
43:16 - 46:12
and it wasn't and that's the funny it was just funny fucking jokes right but how can and it was at a time you know because I remember when Alan came out of the closet I love that girl you know what I mean I had nothing against gay people but at the time I was doing this act is when they were fighting for their rights when they wanted to come out of the closet You know, but when I moved to Hollywood, yeah, yeah. Now, you know, like, you know, with what's his face, Caitlyn Jenner. Yeah. Okay. Now, years ago when I would do a joke about that, you know, I would go, and what's with these trans testicles? I go, you meet the girl of your dreams, right? You're whining, you're dying, you take a home, you put your hand up a skirt, you hold in a tree trunk. That's not hate. It's funny. Right. You know, and now today, everything's changed. So like when that happened with Caitlyn this year is doing it to our interview about it. Right. You know, it's all accepted. It's all good. I don't care what anybody does. You know, but It's just like I couldn't believe that backlash because I'm going, I say nothing about hating anybody, even with the sexist remark when they call me sexist. I go, it's not sexist. I go, I happen to love women and I love having sex with women and I love making fun of how people make such a big deal over sex. I go, that's all it's about. So I like to paint these bigger-than-life cartoon pictures of people having sex that they laugh at themselves because we put so much on it. You know, just so much on the act of banging your chick. And it's the one moment in life with everything in the world that goes on. You know, I'm sure you guys are saying, I just lose myself in that. When my balls are bashing into who I love, for hours on end, that my own wife has to say, I'm only a girl. You know, but it just take I'm kidding about that, but the point is it's like the one moment in your life. You know, when you're blowing it out from the bottom of your nutmeg, from all the pressure you might have gone through that day, you forget the world for those moments, the greatest feeling ever. If I could laugh hysterically and be coming at the same time, I could die at that moment and I'll be happy. The two greatest things of it, to laugh as hard as you can from like something the best body would tell you that you can't control. The kind of laugh where you go, you gotta stop. I can't breathe and you're blowing your load. I could take that for that time. All good. That's a good way to go. Yeah, but how do you get the left gone? It's a trickstone.
SPEAKER_00
46:12 - 46:20
It's hard to laugh and comment the same time. You have to play a prank on her and then you have to fight off guilt to really break on your cheek.
SPEAKER_01
46:20 - 46:28
He looks at you the same prank. I do it to you that you might lay a hysterical. Show go. Why did you say that? All right. Let's go to the mall.
SPEAKER_00
46:29 - 47:01
Ari and I were talking about that yesterday about a comics that's saying do the meanest fucking shit to each other until areas. We're talking about guys knocking Ari knocked a pill bottle out of subdued hands Sent all his mints flying, but there was some I guess volumes that would it was or I'll twist ten and there's like a Vike it in or something something like that But that's like that's typical comic shit, right Joe you've been with the same girl for a long time now as I feel Have you seen Little Joe a year? No, not daughters.
SPEAKER_02
47:01 - 47:04
It's daughter's adorable.
SPEAKER_01
47:04 - 47:13
We saw talking a few months ago. I wanted them to play this bouncer in a, and still rebels first video. You know, but it was, it was out of town so we couldn't use them obviously.
SPEAKER_00
47:13 - 47:27
Are you, uh, are you having more fun now than you've had before? 1000%. It's lighter. Yeah, you seem like, you seem real relaxed. Like, even when everything was going great for you, it was stress. You were stressed.
SPEAKER_01
47:27 - 47:32
But you seem like, because yeah, I had the whole, I was under a microscope. That's what it was.
SPEAKER_00
47:32 - 47:52
And you were one of the only guys. Yeah. That was it. There was Kinnison and Kinnison died, and then you were still alive, and you were the guy that people would get mad at. And I remember when Kurt Loader was mad at you. Remember that shit? The fuck? I don't remember what was that. Was it, wasn't he mad at you? Everybody was me. Did you do get banned from MTV for telling some jokes about feminine hygiene products?
SPEAKER_01
47:52 - 51:15
No, no. What happened? If you want the little MTV story that they keep throwing at me also, what happened was I was booked, or Sini, or was the host, and I was booked to bring out share. Which I looked at like that's because I'm a chef fan. She was coming to my show, she came to the wilt and the amphitheater, the L.A. Forum. So when they asked me to bring her out, it was like, that's great. I'm going to MTV Awards. So now a couple minutes before I go out, Dick Clark calls me over backstage and he goes, look, Um, you might have to stretch a little because she is getting dressed and I'm like, what do you mean she's getting dressed? She wears nothing. She wears a thong in some nylon. That's the outfit, you know. And it goes, well, if you've got to stretch our cineau will come over and you'll do something. I go, no, no, no, no. That's not how it works with me. I go, I've been watching this whole show. I saw Richard Lewis come on and just freaking eat it. You know, Paul Ryzer tried to come out and talk about, it's to an MTV audience. You know, 6,000 people at the amphitheater. Paul Ryzer's talking about the hats that Frank Sinatra wears. Crickets, you know, and my friend, my friend, hot tub Johnny says to me, he goes, look. You could go out there, you could be a tear drop, or you could be a tight ol' wave. Because I was looking at this guy's telling me. You're gonna stretch. So now, because he took me on the side, and as he takes me on the side, if the dicklock talks to me, they start introducing me. So I'm angry. So I come out and I just go into my act. They do the poem was, wait, the famous poem. I think it. Georgie Porgie putting him pie, Jack Dorf and his girlfriend's eye. When a ride was dry and shut, Georgie fucked that one, I'd slut. Oh, you know, so that was like the poem I did. You know, and then I was talking about the kill. Yeah, kill. That was a crushing. You know, my manager at the time, Sandy Gallon, after I came or stage, I have all these tents with press, and they took me from each tent and not one question was asked to me. But I got press for two years after that. I mean, every day, and the arena shows, if I was doing one arena show, let's say I'm Milwaukee, that was three now. You know, so it's doing, you know, 60,000 people for the weekend, rather than 20. It was, I did over 12 million people in a, in a four-year span in arenas. And when it got empty, yeah, when it got bad, I was doing 10,000 people a night. So, you know, this is after they crush forward failing, you know, and I'd be walking around New Orleans with my father and he'd go, you're supposed to be done, and you're doing 20,000 people at the Sun don't tonight. What is wrong with Hollywood? You know, it was just insanity for many years. Well, they had just decided that they were going to blackout.
SPEAKER_00
51:15 - 51:34
That was it pushing me out. And I remember watching it going, this is kind of fucking creepy. It's kind of creepy that they all just decide that this isn't a valid art form, that the kind of shit that makes me how laughing. Like if you really meant what you said, you really were a bad guy, it wouldn't be that funny. It's funny because it's because I know I'm a good
SPEAKER_01
51:34 - 54:02
And it's really, that's why I had this little argument with this interviewer because if the Swami and Vegas, the guy was telling you a few weeks ago, first he interviewed me in an LA. So he got to meet Max. He got to meet Dylan and I know you guys know them and the kind of guys they are. They're great. I actually say that the two nice guys I have a hung with in my life. They're so well adjusted. Not talking about the rock band when they're on stage. They are who they are. They're rock stars on stage. That's who they are. But when they're all staged, they're the most respectful, funny, nicest guys I've ever hung with. Not even his sons, just his guys, because they're both men now 21 and 25. And to hang with them is like a privilege to me because they're just great guys. They could hang, they could talk to me about any fucking thing. Imagine they seen your dad. No, but, but, but that's the beauty of them. They know they could come to me with anything. Of course. Like that. There was, uh, they just recorded their first full album. Okay. So that's one song called, I gotta have. And I call that the sex song. because it's all sexual, all the words is sexual, and Dylan writes all the songs. So the night before he's going to record it, he comes over me in the back yard with smoke and a blunt, you know, and he says, Dad, did you ever really hear the words to I got to have? Because we're going to record it tomorrow. I go on the clubs, it's hard to pick it all up because of the sound systems, you know. So we does the words and it's all sex. And I go, it's a perfect, it couldn't be bad. I go and what's beautiful about it, it's not filthy. It's just sexual. And that's a great thing coming from a 21 year old because what should you be talking about? Right. You know what I mean? Tell you know about. So, but I'm saying this guy got to meet my sons, hang with my sons, hang with Valerie, hang with Eleanor. You know, so he got to talk to me just one arm one as a human being. And then FTC's me on stage in Vegas. It's like, why would you do that? Now who's dice? Who's Andrew? I go, I've been, I've been, I'm sorry I haven't took that name on. You know, because it's like, it's the same guy I am from Brooklyn. I do have an attitude. I do smoke cigarettes. You know, but I don't walk around my house, you know, grabbing my dick on. Take that. You know, it's a joke. It's all a fucking joke. It's a good man.
SPEAKER_00
54:02 - 54:04
It's too early in the day.
SPEAKER_01
54:04 - 54:14
Don't get real mad. But the TV show now dice, it is a hybrid. You get to see different sides of who I am.
SPEAKER_00
54:14 - 54:33
But are they trying to say now that you're doing these big movies and you're doing TV shows like you're on that vinyl show too, right? You get all these legit acting gigs and these legit acting gigs. They're saying, why would you go back to what you do best and what everybody loves you from? Because I never stopped doing. But how about think about how crazy that is?
SPEAKER_01
54:33 - 54:40
I mean, I mean, I think about the Williams. Then Robin Williams continued a stand-up career. Didn't reach you prior. Continue with stand-up career.
SPEAKER_00
54:40 - 54:42
He took a long time off.
SPEAKER_01
54:42 - 54:53
No, but even Eddie Murphy did to stand up to whatever happened to it. But even when he started doing the big movies, he was still doing concert films and stand-up. What's wrong with doing your first love?
SPEAKER_00
54:53 - 55:07
Well, not only that, what's wrong with doing it when you know, that's what people want to see. It's just bizarre that I love doing it. They would decide that the movie thing is more legit, you know, it's like what everybody's really going for.
SPEAKER_01
55:07 - 56:27
Well, you know, I love acting. I've always loved acting. That's why he even got on stage as a comic. Because I didn't want to go to acting school once a week. I wanted every day training. So I put together the act that you brought up earlier with Jerry Lewis and to Travolta. And I took that all the way up to doing Don Kirchner's rock concert. And after that, I was thinking, well, you know, at that time a lot of directives would come into the comedy stores, a matter of fact. The first movie I didn't get, but I got close to was the movie Dynah. you know that Barry Levinson directed and he saw me at that but now I was on stage being dicey so this guy flies me to New York he puts me in a school to to learn to bust an accent with a teacher and and I was killing with the pot And obviously I didn't get it in the end, but that's why I'd be on at the Comedy Store because I just wanted to hone acting chops. And then I finally did get Michael Mann when he did crime story, which was thrilling to me. You know, to be in a show with guys Kevin Spacey David Carruso. You were fucking great. Crime story was very interesting.
SPEAKER_00
56:27 - 56:29
You're watching your mouth, Joey.
SPEAKER_01
56:29 - 56:34
Please come. Why are you through another one? I know. I'm so excited before you have the actors.
SPEAKER_02
56:34 - 56:37
Before you have another one or one, you got to loosen up the stress. You got to pop another star.
SPEAKER_01
56:37 - 57:03
The actors that were on that show, you know, that was Dennis Farina, that was Tony Denison. But, you know, when you're working with guys like Kevin Spacey, who was already starting to get known and, you know, just everybody worked, Michael Madison, you know, just Ted Levine, you know, that, well, the Buffalo Bill, you know, he's done a million movies, but the most famous is, you know, uh, some of the stories, whatever the fuck you're talking about.
SPEAKER_02
57:03 - 57:15
You told me that story about how you got crime story, and that's everything I do in an audition now. When the camera was rolling, they called you while you were at rascals and told you you got it.
SPEAKER_01
57:15 - 58:45
No, no, I got it. What happened is I got a five months later. What happened? I went to read for Bonnie Timoman, you know, and I figured Michael man would be there, you know, like, you know, watching, but he's not there. And she's just filming you. So I get mad at Michael. So I started talking into the camera because I was reading for the gangsters. Right. Yeah, I'm like, oh, so you're a tough guy. You don't have to show up for fucking audition. What's your problem? I'm not big enough for you to sit in an office and watch. Okay. So if the three days and not here or anything, you figure out, I didn't get this part. Five months later, I was visiting in New York and my mother's wake and me up going, you're aging called three times already from William Morris. You got to call back. You know, it's like, call her up. and I'm having coffee with my mother but what I'm hearing in the phone I like can't believe she goes you got booked on the show crime story five seasons You know, and this is what the pay is. I think the pay star made it like 2500 in episode guaranteed 7 out of 13 ABC, you know, and I'm going, and I'm looking at my much everything, right? You know, it's everything, okay? And I hang up, I go, I just got a TV series. I got a go to Chicago Sunday night. NBC. Oh, is that all right? I'm so I'm so fucking vice. You get me? Who does that? That was not so, so it was paying off the acting. You know, and then I did the movie casual sex near the end of that, and then the Rodney Special aired, and that was it.
SPEAKER_02
58:45 - 01:00:12
I still remember Joe Rogan being in a motherfucking halfway house. And I had furloughs. And they said to me, the new rule is you can't go out on New Year's Eve. Even if you had furloughs. So they had conference room to the halfway house. Right? And I said, let me ask you guys a question. What can I do on the conference from New Year's Eve? And they said, nothing. I go, what if I fucking rent it? And they go, you can rent it. What do you want to offer? I say, 100 bucks. And I want the air conditioner on all fucking night. because they always turned the air condition off. I fucking put the air on. I thought there was a TV in there and I ran through the VCR. And I told all the in-vicks, I go, what do you guys want to do, sing your fucking rooms? Or you go watch this comedian Andrew Dyson? Nobody knows who he was. Nobody knows who he was. And I threw the fucking VHS in. And that's right, there's the new year's even at that moment, I knew I got to do this. He said, told me when he said it, when I first met you. Would you like to buy a flower for the lady? And he goes, yes, like a planted in your ass. I was crying, not from Funny I was crying because I had those thoughts this was the voice that was living in my head when I walked around and I saw somebody and people like oh look at that lady's dress. Oh my she's a fucking dirty fucking content You know what I'm saying, but it that's the voice I had in my head so when I watched that
SPEAKER_00
01:00:14 - 01:00:16
He said, is this a beautiful poetic thing?
SPEAKER_02
01:00:16 - 01:01:08
This was his third in college. I was living in Boulder among Gentiles, which slippers that thought the world was beautiful. And in the back of my head, I had this in a voice that I was always looking people in jogging. Look at this fucking gemoke. I was fucking broken socks. I bet his wife's wife's a vegan. The pH is off and I'm pussy with her vegans. The pH is the pussy smells like a carrot. Who said it smells like fucking grass? Because they're vegans, the pH is off. So I would sit there and say, I would say all these dirty things in my mind. So the first time I saw you at that halfway house, I know I gotta do this, try it. Because this guy is doing me. This guy's doing the guy that's living in my head. This was who he was. That thing above.
SPEAKER_01
01:01:08 - 01:01:11
I don't know about all the inmates around the country.
SPEAKER_00
01:01:11 - 01:01:15
Well, if there's more inmates like Joey, we just gotta figure out how to get him out.
SPEAKER_01
01:01:15 - 01:01:25
But remember when I met Joey and he goes, you know, the back step is like, I'm here because of you. That's why I'm doing this. And that's a compliment to me. You know, it's like, wow.
SPEAKER_00
01:01:27 - 01:01:57
All bullshit aside, you were at the front of the line for free speech for comedians. People can decide whatever. No, it's offensive or no, it's this. No, it's not. At the end of the day, it's a kind of art. And you might not like it, but I'm not asking you to go listen to gangster rap either. You listen, whatever the fuck you want to listen to. God, I'm not saying you should go see a mob movie and watch a hundred people get shot up. But if you want to do that, you should be allowed to do that and somebody should be allowed to make them. You know, you know, yeah, I like the people I've been getting.
SPEAKER_01
01:01:59 - 01:02:59
a lot of cool people coming to see me lately in Vegas. I mean, it's like people I look up to that I like their music like people come way around like this past week in Pitbull came with his whole, you know, his whole show for 20 people to show and this guy sitting at Tommy Dice He goes, I was watching you before you made it because I did like certain tapes that were out there like with red fox and he goes, I was watching you. He knew when in 87 and Rodney wasn't until 88 because I saw you like before that. You know, so when they told me last night that taken me to see you and this is what they call Mr. Worldwide. He's a real this guy. You know, like it blows my mind like the kind of people that he was seven years old watching me. You know, that's like crazy shit. Bruno Mars a few weeks ago. I mean, that's like, and these are people I look up to that I love their work.
SPEAKER_00
01:02:59 - 01:03:03
You know, I mean, uh, seats is the place to laugh factor in Vegas.
SPEAKER_01
01:03:03 - 01:05:50
Oh, it's small. It's 340. Oh, that's right. And now, that's perfect. You know, I'll come back there in April and then in May that that put me in the big show room. But I I told Harry Basel I said, you know, I'll go in the big show room for that night. I don't care, but I'd rather work. three nights for the same money in the small room they then get more money in the big room yeah I go because I love being on top of the people I'm not out I mean there are certain big things that that are now coming my way there is talk about going into the garden in September again because I sort of owe that to myself and the fans, you know, because things have built to this crescendo again, so it's like, why not? And plus, my sons could be there and see it all come down. And that's thrilling for me, because I feel the reason they're doing really well now is because I teach them by example how to go after something. And about eight years ago, when I had to start gambling again, just to pay my mortgage. You know, I would tell my sons, you had to start gambling to pay your mortgage? Yeah. Because I just wasn't making enough money in the gigs. You know, so I quit gambling for 10 years. What can gambling? Blackjack. Are you just really good at it? Well, I had 30 grand. Long story short, I turned it into a million one-fifty in a couple days. OK, and I only play alone. That's how I play Blackjack. You know, I was nice enough to give a lot of it back, you know, over time and but that's what gambling is. But through these last few years of building up again, you know, trust me, Woody Allen didn't go, I won't, I want you in my movie. Here's a couple million dollars. It doesn't work like that. You know, but it was an honor to do a movie for him. So I still had to do the gambling and I ended the gambling with getting all the money for them to record their album. Because, you know, it's still not ridiculous figures. I'm paying back taxes. I'm taking care of things that take a few years to take care of. But I also knew rock and roll was coming, you know, with vinyl and rotis and guns and roses back together and not jeth wrote tall. And all these great rock bands are coming back. So I wanted my boys prepared. So I gambled till I got every dime I needed. for them to record. Like I would call Dylan from Vegas and go book another week in the studio. It's handled. You know, and then I stopped, you know, just done. Because now I am doing well again. I'm doing concert tours. It's happening now. How long did you get before? Well, this last run was about eight years.
SPEAKER_00
01:05:50 - 01:05:52
That is hilarious. But you did it profitable.
SPEAKER_01
01:05:53 - 01:06:01
Yeah, I would lose, like any gambler, see my, and they show gambling in dice the show, you know, because it's a hybrid of my life.
SPEAKER_00
01:06:01 - 01:06:04
But, but you used that as a strategy if you got to make money.
SPEAKER_01
01:06:04 - 01:06:33
That's hilarious. You know what, you know, when my back's against the wall, you know, the bottom line is, I'm always going to take care of my family. That's the way it is. And I do what I have to do, you know, to handle those things. You know, so, I mean, you know, Bruce over here would say, don't gamble this in that. You know, but, you know, we, you know, I've helped him out. I helped everybody out that needed to help when we needed it. And now we're doing good. So I just stop.
SPEAKER_00
01:06:33 - 01:06:38
That's just a crazy thing to plan on. to try to make money by gambling.
SPEAKER_01
01:06:38 - 01:06:46
Well, you know, the final line is, when you sit down to get number one, I only play alone with a dealer and you only play back there. And only Blackjack.
SPEAKER_00
01:06:46 - 01:06:47
So this is you and the dealer, that's it.
SPEAKER_01
01:06:47 - 01:07:21
But whatever you put up in front of you, the only way to win is you gotta be willing to lose every penny in front of you with no fear to beat them. And a lot of times I won and a lot of times I'd walk out late, not winning. But it's nothing I recommend. Just like a performer, I had a certain feel for it. I mean, I could walk into a casino. I mean, years ago, I'd play half a million at a clip. That was years ago when I was doing the arena shows.
SPEAKER_00
01:07:21 - 01:07:23
And that was just like a half million dollars in there.
SPEAKER_01
01:07:23 - 01:08:04
I could win or lose a half a million and a half out. You know, that was a day I lost a half a million by noon and by five in the afternoon, I wanted all bad plus another 55,000. It was plays like that. But now it was more about when 10 grand, which to me is pretty simple to do. You know, because I'm so used to playing gigantic figures from years ago. So if I lose, if I sit down at a table with five grand and I'm down 2500, I'm not going to sweat that because I know I could get that back in 30 seconds. You know, most of the time I would. You know, so you win 10 grand you call your kid you go book the studio. Let's get it done.
SPEAKER_02
01:08:04 - 01:08:23
Shall we go another one down? No, no, no. I gotta go. I wish you a lot of luck. I'll be there cheering for you on the time for the show. I mean, though, I love you. God, you're the reason I'm here. Thank you for being here. I'll see you Monday for lunch. All right. Work 12, work like Jamie. You want to say thank you to the Joe Rogan. Where are you at this week? I'm in Braia, so.
SPEAKER_00
01:08:23 - 01:08:27
I'm in Boston doing the Wilbur Friday and Saturday night.
SPEAKER_01
01:08:27 - 01:08:30
I don't want to take this short, but I got it.
SPEAKER_00
01:08:30 - 01:08:35
No, no, that's no interviews. I can say what we've done three hours. We can do it again any time.
SPEAKER_01
01:08:35 - 01:08:37
I won't come here any time. You're the best.
SPEAKER_00
01:08:37 - 01:08:41
You're the best. It's a joy. Thank you again. For me, it's honor for real.
SPEAKER_01
01:08:41 - 01:08:47
Dog. Dice the TV show. Give me a pound. You're the best. All right, folks.
SPEAKER_00
01:08:47 - 01:08:47
See you soon.
SPEAKER_01
01:08:51 - 01:09:01
That was great. It's always great with him.
SPEAKER_00
01:09:01 - 01:09:51
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