Transcript for 5.19: Juno Steel and the Terrible Waste (Part 2)
SPEAKER_01
00:00 - 00:58
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SPEAKER_08
00:59 - 06:01
Hi, Travis. Kevin here and believe it or not, we are cruising towards the end of the Juno and second Citadel series, which is wild. That's a lot throughout my head around. Hopefully it's not news to you that this is the final season of Juno and second Citadel, but if it is welcome, we only have a few stories left. So what we wanted to do is we wanted to sort of give you a broad outline of what the release schedule for those stories will be. If you are subscribed to our online newsletter, which is on Patreon, this is all going to be repeating information. And if you're not subscribed to our online newsletter, why not? It's free. Just head on over to patreon.com slash to put on a podcast. You can join. You can follow us for free. And every other week or so, you'll get access to a traveler's log, a newsletter where we update you on news and Harley and I write a little thing about our creative process each time. And we give you recommendations for things we've been watching reading playing. You get some recommendations from the cast and crew. It's a great time. And especially where the These shows are coming to a close fairly soon if you want updates on what we're planning next. What we're going to do next because we are not disappearing off the face of the planet, at least it's not a my schedule. I'm not planning and disappearing off the face of the planet. The best way to do that is to follow us over there because we will keep you updated every step of the way. So if you are morning, like I am, the endings of these shows and you are looking forward to the next thing. Make sure you go on over to patreon.com slash the Penelope podcast, join us for free. That's enough, uh, Heming and or highing, though. Let's jump into it. Let's talk about the release schedule through rest of the season. So these are broad dates. Over the course of April to May, you can expect the next second citadel story, the fall parts one and two. From May to June, you can expect another Juno story. I'm not going to give you the title yet. You're going to have to be patient. Then from June to July, we'll be the second citadel finale and the end of July slash early August will be the Juno steel finale. That is how close we are. We are cruising towards And July, early August, this eight-year set of stories is coming to an end, which is wild. It's hard for me to wrap my head around. Because we are so close to the end, I do have to ask if you have ever thought about supporting the Pneumbron Patreon. If you've ever thought about supporting us financially, if you have a friend or a family member or anybody else who has thought about supporting us financially, now's the time. It is not easy for me to ask for money, it's tough. But I do have to say our support is flagged a little bit over the course of the season on Patreon. And we are sort of right on the knife's edge of being able to continue to do this and being able to do the next things that we want to do, the next big secret projects that we want to do. We get exit surveys from Patreon that say why people have stopped pledging. And for the vast majority of everybody, it has been financial situations changing. It's a tough time to be a person right now. So really don't stretch yourself past a point that is safe for you to pledge or up your pledge. I would feel just awful if anybody did that. But if you have any spare income that you're willing to send our way of our stories, it meant something to you, if you want to show us that they've meant something to you, if you want to see the next thing that we make. Now's the time. And you get access to, at this point, a frankly insane amount of bonus content. At the $7 level, you get access to all of the production scripts, which are always full of bonus stuff behind the scenes stuff. And at the $10 level, you get access to like hundreds of hours of commentaries at this point that range from actually serious. This is how we make the show type stuff and extremely silly breathing with the boys, Lord arm fan cast type stuff. So it would just mean the world to us if you could support us and help us out. It is no exaggeration to say that the only thing that I want to do with my life is make stories, make stuff for you all to see. And that's only going to be possible if our support keeps up. And I know it's going to, it's going to fall a little bit after the end of June on seconds of no. So anything that you can do to show that you are going to stick with us, that you're going to help us out, will make our next projects more likely stronger, better, harder, better, faster, stronger, et cetera. And thank you so much. If you're already pledging, thank you so much for listening. It's crazy that we've got to do this as long as we have. And I'm so, so grateful for it. That's enough of that, though. You all have a story to get to. So I will see you later, and I'll see you in not too long for the finale of these stories. Ah, good evening, traveller and welcome to the Penumbra. Tonight's tale is... Juno Steele and the Terrible Waste.
SPEAKER_02
06:01 - 06:03
No! It can't be it's true.
SPEAKER_09
06:03 - 06:07
Yeah, well, it is. So it sounds like we've all got to get used to that fact.
SPEAKER_02
06:07 - 06:16
What else may I like? To think that horrible vision I had. It didn't return to attackers. Just like dodger. There you are.
SPEAKER_09
06:16 - 06:24
Come on, get in here quick. What the hell was that?
SPEAKER_06
06:24 - 06:30
I... I don't know. I didn't see my dad in the crowd.
SPEAKER_02
06:30 - 06:33
And slip. Can't see him anywhere.
SPEAKER_09
06:33 - 06:46
God damn it. We just saw somebody get gunned down by some kind of zombie and that's still all you two can think about. It's hell out there. And those life up worker things. That's what the exact call them, right? They're chasing people into their homes.
SPEAKER_06
06:50 - 06:56
I knew it would be bad, but I had no idea. No idea.
SPEAKER_09
06:56 - 07:05
Come on. You can lose your marbles in a minute. Right now, I need you here. Those life-or-things are going to figure out that we're up here any second. Do you have any way to keep them out of here?
SPEAKER_06
07:05 - 07:12
Right. Sorry, right. I don't think we want to be up here, actually.
SPEAKER_09
07:12 - 07:22
By the hell not. It seems pretty defensible to me, only one way in. I'll weed see the bottom of the ladder from here. If any of them try to climb up, I can just blast them right back to you. We'll blast no one, Juno.
SPEAKER_02
07:22 - 07:29
Why not? Those are people's family. Their parents, their children, the loves of their lives, you will not just... Pick them off, like they mean nothing.
SPEAKER_09
07:29 - 08:14
You were stated right next to me when that woman got shot through the skull, whatever love she felt for that life-up work or thing was not mutual. And that gives you license to kill them all over again, does it? You're not listening to me. And the one thing every person in Vavapolis hasn't common is that they were willing to give up their lives for the sake of bringing back someone who died. That's real love. There's no faking it. And if that thing didn't feel any love in return, if it could just shoot her dead without a second shot. Oh, it's calling them things. They are people. I don't know that they are. I don't think a person could have done something that cold without a second thought. It's time to wake up and face it, all right? To con it and bring back people, they brought back workers. And that's all they're good for now because that's what's good for the bottom line.
SPEAKER_02
08:14 - 08:20
I don't see slip down there. Perhaps they haven't turned them into one of them yet.
SPEAKER_06
08:21 - 08:22
We can't stay up here.
SPEAKER_09
08:22 - 08:28
Malay, I get it, or at least I'm trying to get it. But we can hold on for your dad while those lifers are banging down your door.
SPEAKER_06
08:28 - 08:35
No, that's not it. Well, I mean, that's not all of it. Look, they're closing the gates to Vivopolis.
SPEAKER_02
08:35 - 08:37
I'm afraid I don't follow your reasoning, Malay.
SPEAKER_06
08:37 - 08:48
This isn't an invasion. It's a siege holding up in one spot, hiding away and letting them surround us. That's what the boss is one. If they can keep us stuck in one place long enough.
SPEAKER_09
08:48 - 08:49
They think they're trying to starve us out.
SPEAKER_06
08:49 - 08:54
I mean, We know where life up work has come from, don't we?
SPEAKER_02
08:54 - 08:59
The dead? My, that's... ghoulish.
SPEAKER_09
08:59 - 09:04
But damn it, why would they bother? They already have you all working for them for free, don't they?
SPEAKER_06
09:04 - 09:11
Not quite free. They have to feed us a little when someone gets sick when we make a stink about it until they do something.
SPEAKER_02
09:12 - 09:20
Cutting expenses isn't everything. If these new workers don't have to sleep, they could increase their workload, so they're income hugely.
SPEAKER_09
09:20 - 09:24
They don't eat or sleep or get sick or anything.
SPEAKER_06
09:24 - 09:32
Boss has said they were the little bunch of a new product, so as long as you're going to design a worker anyway, why not take out the parts that cost you money?
SPEAKER_02
09:32 - 09:34
But if they've taken all that away,
SPEAKER_09
09:35 - 09:45
What's left, really? Well, when all this over, we'll get one on the therapist counter, try to drill down into that answer. For now, how the hell are we going to get out of here? Because if we're going to make a move, it has to be before they pick out the best spots and touted camp out.
SPEAKER_06
09:45 - 10:05
If we can't get everyone out of the vaubless, I think I can find a safe place for all of us to hide. The bosses don't know this junkyard, as well as they think they do. They don't explore it as much as I have to. There are lots of hidden places in here. But the others in vaubless. They don't know yet. Most of them can't see the gates from their places. They're probably hunkering down.
SPEAKER_02
10:05 - 10:08
But playing right into the executives' hands.
SPEAKER_09
10:08 - 10:11
Lasting our way out is still an option. You two can climb down the ladder before me.
SPEAKER_02
10:11 - 10:12
You're not shooting them, Juno.
SPEAKER_09
10:12 - 10:14
I'll put it on stun, what's the big deal?
SPEAKER_06
10:14 - 10:24
We don't know anything about what keeps them moving by a logical, mechanical, whatever else. Even the voltage from a stumb glass might be enough to, you know, kill them.
SPEAKER_09
10:24 - 11:03
Okay, so to sum all this up, we're being attacked by the recently dead every second counts because they're going to completely trap us in here any minute now and I'm not allowed to use my blaster. Anybody have any more hurdles for us to jump because I figured we should get it all over with now while I'm limber. Well, that's something, anyway. Only one thing left to do then. Which is? We call them the professionals. I had two professionals in mind when I picked up my comms. Well, three, actually, but from the thin-wet feel of it in my pocket, I could tell that the Ruby still wasn't feeling ready for action. First, of course, was Rita.
SPEAKER_04
11:03 - 11:05
Mr. Steel, I was so worried about you.
SPEAKER_09
11:07 - 11:13
We didn't. Rita, we're going to need you to work some of that hacker magic for us. What can you pull off from where you are?
SPEAKER_04
11:13 - 11:23
That depends. From your calls, I should be able to access any wireless satellite network to round you with first time to figure out what's there. What's the situation? What needs to it? How can I read a help you today?
SPEAKER_09
11:23 - 11:32
Well, we are in a city made of garbage where the dead have come back to life and they're posted with high power blasters all over the day and place, so mostly we're looking for a way to get the hell out of here.
SPEAKER_04
11:34 - 11:38
So cool, Mr. Seal. I am never gonna forgive you, but not let me come with you.
SPEAKER_09
11:38 - 11:46
Yeah, you're on speaker right now, so I wouldn't say that again. I've just got a couple of stairs called enough to kill you straight through the comms. A couple, who else is there with you?
SPEAKER_06
11:46 - 11:50
This is just gonna get us out of this mess, seriously? Oh, who's that?
SPEAKER_09
11:50 - 12:57
You can't pray. Eyes on the prize, Rita. There's a big gate leading out of town, but it's been closed on us. Finding way to open it would probably be a good place to start. You got five minutes and also I'm gonna be making another call. Good luck. As for expert number two, the fact was we didn't know the first goddamn thing about what we were up against. And if we were really planning on going into a fight on arms with no idea what our enemy was, well it wouldn't be long before we'd be dead eyed, marching in plays that'll counter group right next to the other lifers down there. Problem was, I didn't know anybody who'd gone up against a crack squad or living dead before. So we were kind of in brand new territory here. But I did know one person who tangled with one of the dead on the daily basis. And even if his dead was less gun-toting, cold-hearted robot, and more slabbering, ball of excitement, it was a place to start anyway. Hey, Mick. Hey, Mick. So listen. If you had to take Wilcoe on a fight, how would you do it? Also before you answer, you should know that my next question is going to be, if you had to take 50 Wilcoes on a fight now, I'd guns. How would you do it? Yeah.
SPEAKER_03
12:57 - 13:03
Wilcoe. I mean. Next question.
SPEAKER_09
13:03 - 13:06
Wait, is something wrong with will go?
SPEAKER_03
13:06 - 13:16
Yeah, I mean, that'd be a never-and-think. It's a couple of words to tell without, you know, it's a tale, or a few of the flags, or most of the space.
SPEAKER_09
13:16 - 13:27
You shut sounds tragic, heartbreaking, devastating. That was gonna say gross, but mostly all those things, you said, yeah, I'm sorry, pal. So it's just, what, falling apart?
SPEAKER_03
13:29 - 14:17
You know, you done yet? They're starting to beat down the door to my place. Mick, I'm really sorry to hear all that, but I have to go. Do you know what I mean? It's still off the bat. You can destroy such a few inches now. Don't need any more, but he looks so low, even though we just missed it all back out. And he does this cute thing work with the white star and all of this starts dancing. Which you never know the first time he was alive, but it's great that he's picking up new hobbies and full day.
SPEAKER_09
14:17 - 14:23
Do you know? Sorry about your dead dog, Nick. I gotta go. Bye. I got kind of intense.
SPEAKER_02
14:23 - 14:26
So, did you learn anything we can use?
SPEAKER_09
14:27 - 14:55
I had, actually. But I knew I couldn't share it. If watching Wilco fall apart had that much of an effect on Mick, how the hell would melee feel watching her dad fall at pieces? Or, Narayah of watching slip? It would be too much for them to take, but it was maybe the only advantage we had against those life-up workers surrounding us. So I said, melee, can you put together some stuff we can use to fight him hand to hand? Even if we're not gonna shoot him, we're gonna need to disarm him.
SPEAKER_06
14:55 - 14:57
Sure. Fine.
SPEAKER_09
14:58 - 15:06
And then called Rita back up for the final sound, whether she could get us the hell out of here. Well Rita, what do you got for us?
SPEAKER_04
15:06 - 15:10
You remember what Captain A used to say about a hidden safety and easy to crack and won the family open?
SPEAKER_09
15:10 - 15:16
Sure, if it's hidden, hiding its part of the security system, people are only going to spend the big crowds on a security system for a safety people might actually get to crack.
SPEAKER_04
15:16 - 15:25
Right, well, I'm thinking about this, Connor, guys thought the system was hidden enough in that trash ball, but they wouldn't have to protect it very much. I got into their wireless system pretty quick, and now all Rita's ran in the place.
SPEAKER_09
15:27 - 15:38
and the bad news. Nobody ever specifies that there's good news unless there's also bad news. That's why there's no such thing as good news in a spill.
SPEAKER_04
15:38 - 15:51
The bad news is that there's two bad news. First, I don't recognize most of what's on the network, but Sarah ain't. Nothing that looks like a door or a gate. I wouldn't be surprised if they're using analog locks and keys around that place, and they're ain't much I can do about those.
SPEAKER_02
15:51 - 15:54
That would make sense. They trained us up with an analog lock after all.
SPEAKER_04
15:55 - 16:10
There are a few things I recognize here, but I only recognize them from the decline of offices and on and there. Well, I think there are the medical machines that I keep in Mr. Jackson and all of them alive. And that means I can't do what I usually do, like back in the zero gravity playroom.
SPEAKER_09
16:10 - 16:16
Because what you usually do is experiment turning things on and off until you've got the place figured out, but you do have to hurry my kill somebody.
SPEAKER_06
16:18 - 16:25
Well, it makes sense that the gate's not on the boss's network. I warrant the gate myself, along with most of the electrical involvellis.
SPEAKER_09
16:25 - 16:29
So it's on a completely separate network.
SPEAKER_06
16:29 - 16:39
Of course it's not wireless. Then the boss is good peaking whenever they want to do. But the main computer that controls it all is on the other side of the webbless. We'd be fried long before we got there.
16:39 - 16:41
We don't need the main computer necessarily.
SPEAKER_04
16:41 - 16:44
We just need any kind of uplink to assist him, connect it to it. And I can do the rest.
SPEAKER_06
16:45 - 16:54
In that case, there might be something in my place. A water recycling system uses the main computer's processing power to run its chemical analysis.
SPEAKER_09
16:54 - 16:55
Hasn't the room we're in right now?
SPEAKER_06
16:55 - 17:01
Do you see a toilet old timer? This is my workshop, no my place. The place is at the bottom of the ladder.
SPEAKER_02
17:01 - 17:04
And thus swarmed with life up workers.
SPEAKER_09
17:04 - 17:07
Hopefully. Rita, there's no way to open the gate without that uplink.
SPEAKER_04
17:07 - 17:13
Not unless you got some magic candy, which would be really super cool, but if you do, I'm mad because you ain't never told me you would imagine before that.
SPEAKER_09
17:16 - 17:20
Well, the magic I can think of is just a weird puddle in my pocket right now, so that's a no-go.
SPEAKER_07
17:20 - 17:21
Wait, what?
SPEAKER_09
17:21 - 17:28
Sounds like we got no choice other than going down there and fighting them ourselves. And the sooner the better, before they figure out what we're up to.
SPEAKER_06
17:28 - 17:30
No, seriously. What did any of that even mean?
SPEAKER_02
17:30 - 17:37
We'd best prepare now where we'll be here all day. May lay, what would you recommend we use to defend ourselves?
SPEAKER_09
17:39 - 17:58
Malay had plenty of junk scattered around that workshop, so it didn't take long to find a couple of things we could use as weapons. A couple of short metal pipes for Naraya, a flat sheet of metal like a shield for me. A long iron rebar club for Malay. We looked less like we were prepped for battle and more like we were prepped to play pretend in the backyard, but it was the best we had.
SPEAKER_06
17:59 - 18:09
Remember, we're only using these to keep them away from us. Protect yourself and knock the blasters out of their hands if you can. But any damage to the brain or major organs.
SPEAKER_09
18:09 - 18:11
You mean the organs we don't even know if they're using?
SPEAKER_06
18:11 - 18:16
Yeah, exactly. We don't know, and we're not gonna find out by killing them. So just be gentle, all right?
SPEAKER_09
18:16 - 18:20
Yeah, cool. Sure. I'll be gentle with the killer corpse as real cool.
SPEAKER_06
18:20 - 18:25
Well... Let's get this over with.
SPEAKER_09
18:28 - 18:57
I did my best not to look down at Vavopolis as we descended the long ladder in melee's place. It wasn't just that the height made my brains do back flips. It was the fact that I knew the slower we went or the louder we went, the more likely it was that someone would notice us as we climbed down. They sent me down the ladder first, supposedly because I had the best tool for protection against laser blast, but now it's not like it was the first time I was forced to take a lead in a death march. It just comes with a territory of being so naturally charming and likely
SPEAKER_02
19:00 - 19:03
Yeah, Jun. Is there any sign of the life-up workers down there?
SPEAKER_09
19:03 - 19:27
I'm not sure. I kind of already see what's been chunking up. Never mind, if I had one. Juno, look out! Once the stars cleared for my eyes, I saw a man with white hair and a white stare standing over me pointing a blaster straight into my face. I swung my scrap shield in front of me, but... turns out I didn't need it because someone else was quicker.
SPEAKER_06
19:27 - 19:29
He dropped his blaster, grab it!
SPEAKER_02
19:29 - 19:29
On it!
SPEAKER_09
19:33 - 19:37
That's one down. Only, oh, five to go.
SPEAKER_06
19:37 - 19:41
There's the amount of here I love the door. That'll chop the one I know now.
SPEAKER_09
19:41 - 19:45
And then what do we supposed to do? Take each other, blasters, one by one, and just like stuff about pockets.
SPEAKER_07
19:45 - 19:45
Yes.
SPEAKER_09
19:48 - 20:22
Those life-up workers were fast, but Nareyev and Melee were faster. In a flash Nareyev and used each of his metal pipes to whack up pistol to him rest in Melee had pushed two of the lifeers so far outbound the one shot they did get off only put to hole in the seal. Two for Nareyev and two for Melee left one for me and luckily my shield was thick and reflective enough that its laser shots could only give you a high temperature haircut. But unlike the array of sticks in melee's club, the shield's not much of a weapon. And I can only keep my defenses up, so before those dead hands reach me. Guys! Little house here!
SPEAKER_08
20:22 - 20:23
Kinda busy!
SPEAKER_02
20:23 - 20:27
You have to find a way to take care of that one and go own Juno.
SPEAKER_09
20:27 - 21:00
Meanwhile, the life-up drone assigned his my dance partner was laying in on trigger too fast and too hard for me to fight back. It's dead closer and closer until I could see its fingers crest over the top of my scrap metal shield. And that's when I knew I had no choice but to do something really, really gross. It had to do with what Mick told me about Wilco. These lifers weren't anything like him. They weren't held together by anything more than yours dead flesh and me, some glue. So when I saw that hand reach over to grab my shield, I grabbed its wrist instead and I pulled.
SPEAKER_06
21:03 - 21:18
The thing that shocked me most was how that life-up worker's wrist felt in my hand. But Wilco moved around a lot, but when you touched him,
SPEAKER_09
21:32 - 22:20
I was clearly dead. Cold to the touch. Aaron's skin, not anchored on quite right. The wrist-eyed grab wasn't like that. It was warm, soft. I could feel the blood rushing through the veins. It was alive. While I was puzzling over that, the glyphor clearly saw that it didn't need to take my shield anymore. It already had the angle at me. The barrel of a blaster crept around the side of my protection. Angled somewhere in my guts, and if I didn't find a way to stop it, it was going to stop my heart. I couldn't retreat. My back was up against the door. We'd locked the first dead guy behind. Mary was taking her space to my left and arrayed to my right. So I stabilized my shield with both hands and charged the only direction I had left. Straight forward. Into the worker drone. Trying to kill me.
SPEAKER_02
22:28 - 22:30
Do you know what I'm- are you doing?
SPEAKER_09
22:30 - 23:27
I don't know. It looks like it worked. Maybe. Come on out of there. You whatever the hell you are. You and I both know that wasn't enough to kill you. But life-up drone didn't come out. In my big tackle rush I pushed it backwards clean across the room and threw the doorway into a closet so dark I couldn't see the opposite end of it. That meant I couldn't see the walking corpse either. It was lurking in there waiting for me to follow and I didn't know which would be worse. Going after it or turning my back to the closet letting it come after me. I kept my shield up and took a few steps in until my foot kicked up against something and I jerked it back. So terrified by the feeling that I swore I could feel fingers closing around my ankle. But nothing came. So I kicked it again. And again, nothing and nothing. But the life I couldn't have just been sitting in there. Got it?
SPEAKER_02
23:27 - 23:29
Are you all right back, babe, do you know? Yeah.
SPEAKER_09
23:29 - 23:34
Hey, melee, you got a light switch for this closet? Yeah.
SPEAKER_06
23:34 - 23:39
If you've got time to ask that yet. You've got time to hurry with these people.
SPEAKER_09
23:39 - 23:40
Never mind, I think I found it.
SPEAKER_07
23:47 - 24:03
Do you have to turn off the lights? What?
SPEAKER_06
24:03 - 24:21
God damn it, I'll just show you. How long are you doing? Do you know how hard it is to find a rifle that has been burned out of this junkyard?
SPEAKER_02
24:21 - 24:27
But melee. Look. The life of workers. They've stopped moving.
SPEAKER_06
24:27 - 24:30
Why would they stop moving in the dark?
SPEAKER_09
24:30 - 24:58
Maybe the better question is, what makes them move at all in the first place? What are you doing, Judah? Testing an idea. Are you there, Rita? No, just... You said you could intercept any wireless network, but anything on that network would have to have something that connects it to the network, right? Yeah, that.
SPEAKER_02
24:58 - 25:01
Be careful so close to that life-up worker, judo.
SPEAKER_09
25:01 - 25:06
Rita, is it possible for you to check if there are any of those receiver things near my comms right now?
SPEAKER_04
25:06 - 25:11
Oh, um, well maybe if I... Okay, I got it.
SPEAKER_09
25:13 - 25:19
If there are no receivers inside the workers and how the hellity executes controlling them, that is the question.
SPEAKER_02
25:19 - 25:24
And do you think this has something to do with the lights? Of course, of course what?
SPEAKER_06
25:24 - 25:37
The lights in Vopolis are always flickering. I told you that already. But if the bosses took control of the lights, somehow made them flickering certain patterns, patterns pre-programmed to make the life of workers behave in certain ways,
SPEAKER_02
25:38 - 25:41
They could control the entire group without us ever learning how.
SPEAKER_09
25:41 - 25:44
So if we shut down the lights, we shut down the workers.
SPEAKER_06
25:44 - 25:50
Water recycling with the network hookup is this way. Come on!
SPEAKER_09
25:50 - 26:13
It was a strange experience. Huddling around the toilet with my comms out waiting to see if Rita could hack our way out of a vopolis. And even if she could. Hell, I didn't know what the plan was after that. I didn't catch your name by the way. You didn't throw it. It's a long story. Well, whatever your name is, slips the name of the guy you're looking for, right? It is. And once you find him, what that
SPEAKER_06
26:27 - 26:35
I'm in the same boat as you. I keep wondering if... I don't know. There's a way to reverse what the boss has did to them.
SPEAKER_09
26:35 - 26:37
Kill them again, you mean?
SPEAKER_06
26:37 - 26:48
It just... It can't be over. After everything I've done, all the years I've spent here, they can't just be gone. You know what I mean?
SPEAKER_02
26:50 - 26:56
Do you know what did you mean when you said that the by-fuff workers are was supposed to come off?
SPEAKER_09
26:56 - 27:14
Oh, uh, it's uh, it's just, uh, you know, it's kind of like, uh, I won't be angry. You can tell. I, uh, okay. I know someone who bought it. I guess, uh, kind of prototype of the life-up tech they're using here. It was a dog, not a person.
SPEAKER_06
27:14 - 27:15
But it worked.
SPEAKER_09
27:16 - 27:28
Kinda. But his dog doesn't stay, you know, put together. Cuts and scrapes don't heal, bones don't men. Nothing's over time, he's just falling apart.
SPEAKER_02
27:28 - 27:50
Grand Pappy's recipe. What? It was one of the things I stole for the executives. Regenerating cell technology. It must have applied it to these life-up workers so that they don't suffer the same fate as that dog. I'm... I'm the reason these workers are so powerful. Anyone who dies here today? It's my fault.
SPEAKER_09
27:50 - 27:54
Come on, you can't put that on yourself. Fine, too. What?
SPEAKER_06
27:54 - 28:08
We didn't know. The buses had us so convinced we were doing a good thing. A selfless thing. Maybe it was selfless, but it wasn't helping the people we thought it would. It was just helping land their pockets.
SPEAKER_09
28:11 - 28:27
Look, I'm just gonna say this once because I think I know how well it's gonna go over. Juno, we can still get out of here. Salvage the people in Vavapolis we can, hide out till the ruby seven recovers, then cut our losses and go. It's an option, it's all I'm saying.
SPEAKER_06
28:27 - 28:30
Well, I can't leave without him.
SPEAKER_02
28:30 - 28:36
No, I him. Yeah, figured.
SPEAKER_09
28:36 - 28:40
Yeah, Rita, tell me you've got what we need so we can get out of this hell hole.
SPEAKER_06
28:47 - 28:53
What? But... that can't be right. I wear them myself. I know they're connected.
SPEAKER_04
28:53 - 29:00
I did find a few kind of loose ends here in there. Spots with incomplete data strings like a connection have been severed somewhere.
SPEAKER_02
29:00 - 29:10
Then... the executives must have beaten us to this line of reasoning. To ensure that nobody could deactivate the workers or escape the vopolis they've disconnected you from the system.
SPEAKER_09
29:10 - 29:14
Did you say it was all controlled by a main computer somewhere though? They couldn't have disconnected that, could they?
SPEAKER_06
29:15 - 29:30
No, without rewriting the system from scratch. And I think, I mean, I hope I noticed that. Damn it. Long after they've been planning this. How many crats have we been making them while they've just been planning to kill us?
SPEAKER_02
29:30 - 29:32
I think upgrade is the term they'd likely use.
SPEAKER_09
29:32 - 29:47
And it sounds like we need to get to the central computer then. Taking a lead us there in the dark melee. I just said I could access the lighting system either. More than one way to unscrew a light bulb. What do you say? Now do I get to use my blaster?
SPEAKER_02
29:47 - 29:50
Yes, Juno. Now you get to use your blaster.
SPEAKER_06
29:50 - 29:57
Now goddamn time! You're going to shoot off the lights. The ceiling that mounted into must be 300 yards above us.
SPEAKER_09
29:57 - 30:12
No, settle. Just watch me. Listen, no matter the occasion, I am always ready to sharpen the old sharp shooting skills.
SPEAKER_06
30:12 - 30:16
Alright old timer. That was pretty good.
SPEAKER_02
30:16 - 30:21
Ah, well, now you've encouraged him. May the consequences be on your head.
SPEAKER_09
30:21 - 31:39
Was it just me or was Nureye of smiling a little when he said that? Whatever. Not the time to think about that. May like out as a light to guide our way forward, but we had to be careful with it. Killing the flittering lights had not the lifers out colds, but just a flash from our beacon and they'd shudder to life all over again. Not that they'd always attack us, mind you. Whatever system the executives had implanted and then the cave them commands through flashing lights must have been sophisticated. Because depending on how we illuminated them, they did just about everything. One crawled at us using a leg, a hand, and they got him head pushed them forward through the choke. One made quick jittery motions with its torso like a puppet on table with strings. One twisted and contorted itself like hell's own pretzel. In a way the ones that didn't attack us felt worse to look at because then you could get a real look at them. You could remember that their faces used to hold a motion that there were people down here that had spent years toilet just to see those faces again. Anyway, our strategy is shooting the lights out and creeping our way forward worked pretty damn well until we got to the central computer that is. It was held inside a scrap iron brick of a building two stories tall at least, and the building was well lit on the inside, but I couldn't get a good angle on any of the lights from the outside.
SPEAKER_02
31:39 - 31:40
In there?
SPEAKER_09
31:40 - 31:44
In there? Geez. Can I just kept them in computer in your place?
SPEAKER_06
31:44 - 31:49
Would you want people banging down your door in the middle of the night every time they're toilet stops working?
SPEAKER_09
31:49 - 31:54
That's fair, I guess. It doesn't explain how the hell we're gonna get in there without getting perforated, though.
SPEAKER_02
31:54 - 31:59
That, I believe, is my specialty. May lay where in this building is the central computer kept.
SPEAKER_06
31:59 - 32:05
Second floor, right up by the window. But it locks from the inside and it's gonna make a lot noise if you try to break it.
SPEAKER_02
32:05 - 32:08
We won't need to break it. Stand back.
SPEAKER_09
32:08 - 32:56
Then, from one of his many pockets, Noray have pulled out a tool I'd only seen amuse a few times before. I think it looks like a little plasma pen knife on the end of a long cord. The activated the blade, spun it at a side, then launched it up towards the window above us. It cut into the wall, and then four plasmative metal anchors sprung from the sides of the pen knife and anchored themselves in the iron wall, melting it and welding it to the tool in a second. Then he tested the cord with his weight and began to climb. It was so different from how he looked on the surface of the trashball, but so like the Narayev I had known from our year, working with the Arinkos. Hell, from the Narayev I knew from tangling with me as my back in the Martian tomb. There was a quick sureness to his emotions now that had been missing for a while. I wonder what that meant and more in the fact that I'd probably never get to know.
SPEAKER_06
32:56 - 33:01
Do you know? You coming?
SPEAKER_09
33:01 - 33:39
Yeah, sorry about that. I didn't need to see nor I have to know what he was doing up there. If the lock was digital, he'd probably use a short range wireless transmitter to blitz the lock and fry it from the outside. If it was mechanical, maybe some kind of Jimmy to crack the window open, then a long thin wedge to turn the catch from the other side. Either way, he got the damn thing open. Then he looked down at me in melee, motion for us to wait a moment, and crawled in the window. So we waited. And we waited.
SPEAKER_06
33:39 - 33:41
Sure is taking his time, isn't he?
SPEAKER_09
33:41 - 33:42
I think we have to follow.
SPEAKER_06
33:43 - 33:45
You know, this is a trap, right?
SPEAKER_09
33:45 - 33:48
Yeah. You can stay here if you want.
SPEAKER_06
33:48 - 33:51
We'll take it. You are me first.
SPEAKER_09
33:51 - 34:10
You're holding our only source of light, so I think it's gonna be me. Here goes nothing. I was halfway up the rope and something strange happened through that window above us. The lights flickered off.
SPEAKER_06
34:10 - 34:14
Huh. Do you think? Does that mean you need deactivated the light?
SPEAKER_09
34:14 - 34:16
We won't know until... Ahhhh!
SPEAKER_06
34:16 - 34:21
Do you know? Hey, Old Hiver. You all right?
SPEAKER_09
34:21 - 34:47
Yeah. Yeah, just a dead egg or something. I'll keep moving. The window is hanging open. Creaking in its frame as I climbed up a side it. I couldn't make out a goddamn thing in the darkness, and my ears were strained so far they were playing tricks on me. Was that the breath of a life or the hiss of air filtration units? I didn't know. Hey!
34:47 - 34:47
Are you in there?
SPEAKER_11
34:47 - 35:10
I'm going in. Hey! Come on, this isn't funny. I am no expert in humor. What I would argue that this is very funny indeed.
SPEAKER_09
35:10 - 35:52
The lights flickered back on. And when I got a good picture of what was going on, well, it sure wasn't good. One of those executives had Narayev in an iron grip. One hand locked tight over Narayev's mouth. The other holding a strange device bound with snake-light coils to the sputtering computer in the back of the room. And surrounding us, of course, with lifers. Judging to life is the lights we can make. The executive has to button on that device. The lights are flickered in quick and old patterns. When I realized what was happening, I went for my blaster, but I was too late. Two sets of strong arms, grabbed mine, sending my blaster clatter across the floor towards the window.
SPEAKER_11
35:52 - 36:04
Well, it seems I've caught two very useful rats in this trap. Long standing contract for Peter Nareas. and precisely the person we've been looking for.
SPEAKER_09
36:04 - 36:05
Me?
SPEAKER_11
36:05 - 36:52
What the hell are you talking about? Likely, three rats come to think of it. And that's not even including the woman I know you came here with. Melee, I think it's time for you to join us. We have someone here who would like to speak with you. You're talking to yourself. It's just the two of us here. Now tell me. Don't think you understand how we've prepared for this product launch, Mr. Steel. We've been keeping a close eye on Vivopolis for some time now. We know how integral melee is to the workings of this place. You and Mr. Nareiv may have been a pleasant surprise, but her? We suspected we would meet her here all along. Now come in here, melee. You're father, but like to have a word with you.
SPEAKER_09
36:52 - 36:55
Don't fall for it, God dammit, man. I don't you fall for it.
SPEAKER_07
37:03 - 37:03
to have.
SPEAKER_09
37:05 - 37:34
One of the lifeers stepped forward from the pack, a sleek metal speaker box dangling from his neck. There was no resemblance between him and melee, not even the mirrored expressions you sometimes get between people who've spent a lot of time together. All that stuff, the expressions, the connection, the experience, must have died a long time ago. But I can't blame melee for seeing those things in his face, even if they weren't really there. You want something long enough and its ghost starts to haunt you. It starts to crop up wherever it hurts most.
SPEAKER_11
37:36 - 37:52
We've been unable to develop a process to preserve the vocal cords and the life of great process. So we needed to supply him with another means of speech. But this is your father, Maleigh. Isn't it? Dad?
SPEAKER_07
37:52 - 37:56
What did they do to you?
SPEAKER_10
37:56 - 38:05
Maleigh, my girl. I'm so proud of all the work he's done for me. Dad thank you. I am so proud to call you my daughter.
SPEAKER_06
38:05 - 38:16
Dad. It was so hard. It didn't think. Sometimes I thought I'd never... It's all right now.
SPEAKER_10
38:16 - 38:39
But melee, after doing so much for the economy, and after they brought me back to you, why would you attack them like this now? What? We can be together again. But if you push back like this, everything you've done will be for nothing. You couldn't do that to yourself. You couldn't do that to me.
SPEAKER_07
38:39 - 38:41
Who do you?
SPEAKER_10
38:41 - 38:51
But... And down my girl, thanks to the Conagrup for what they've done when they'll forgive you. So we can be together again.
SPEAKER_09
38:51 - 39:19
There was a war going on behind May Lasis and I couldn't blame her. The Decona group's move was a little obvious, sure, but it's stacked with a deck so that obvious might be enough. You want something bad enough for long enough, and your brains will do backflips convincing you it's exactly what you need no matter the cost. Norea was watching her closely, too. It didn't take a genius to figure out what he was thinking, confronted with melee finally getting what you wanted for so long.
SPEAKER_06
39:19 - 39:22
Thank you, Decona group.
SPEAKER_10
39:22 - 39:23
Dammit, very good.
SPEAKER_06
39:24 - 39:31
It was nice to see the old man again. Even if just to say goodbye.
SPEAKER_09
39:31 - 40:03
Malay was on the ground in a second. My blaster in her hand, and before the executive could do so much as twitch towards that remote he was holding, she'd sent a beam of hard light straight through the thing that used to be your father. Malay, what are you doing? She wasn't the best shot. My blaster was fully charged, and she had as many lasers as she needed to get the job done. She sent one close enough to the executive's hand to start limits dropping the remote. If you miss shots later, and she managed to crack the single, dangling ball of light in the room.
SPEAKER_02
40:03 - 40:05
The executive is escaping quickly before he gets away.
SPEAKER_09
40:05 - 40:09
Damn it, I can't see anything. Melee, you still have that light?
SPEAKER_06
40:09 - 40:11
Right, yeah, I'm on it.
SPEAKER_09
40:11 - 40:21
Damn he's fast. He's already gone. I'll go after him. You two figure out the computer so we... Let him go, Juno. But he saw you! If he tells the other executives you're here... It's all right, Juno.
SPEAKER_02
40:21 - 40:41
Let him go. It's not worth walking into another trap. But... What about slip? We'll still find slip. I won't sacrifice you in the process of finding him. Wouldn't bear it. Maybe I can do open the gates from here. Maybe?
SPEAKER_09
40:44 - 41:11
She was standing over the body of her father, and... It's awful to say, but he looks more human that way. At peace. We let her have a few minutes just to look at him. She'd waited long enough to earn him, I thought. Melee opened the gates to Vivopolis soon after. Then brought Narei and I back to her place.
SPEAKER_06
41:13 - 41:31
Nobody else in town knows you too, and they're probably pretty freaked out right now. I'll have a better shot alone at convincing them to come with us. So, just wait here. I'll be back soon.
SPEAKER_09
41:31 - 41:47
We sat in the silent dark for a while before either of us managed to speak. I got the sense that Naraya was chewing on something he should have thought about a long time ago. Hell, maybe I was doing the same. But eventually, I couldn't take quiet anymore, and I said, no, I have.
SPEAKER_02
41:47 - 41:48
Hmm?
SPEAKER_09
41:48 - 41:58
Did you notice... That executive said he was looking for me. Hell, when the guards tied us up and said the executives wanted one of us, maybe they meant... But what the hell did he mean?
SPEAKER_02
41:58 - 42:38
I don't know, Juneau. And I... I am very sorry I've gotten you into this mess. And sorry if I've treated you in a way that is... less than you deserve as well. No. Frankly, I find it unforgivable. You have done a great deal to help me through this, with no benefit to yourself. And I, well, it's so strange. Even after everything we've been through, I still find it so difficult to talk about how I feel
SPEAKER_09
42:39 - 42:44
Scary. I get it. You don't have to if you don't want to.
SPEAKER_02
42:44 - 43:33
It is frightening. Yes. But that doesn't stop you. I think I respect that about you a great deal. Perhaps what I am trying to say is I feel rather vulnerable around you. And it is a difficult time for me to feel vulnerable. If I have taken that out on you, I am genuinely very sorry. I'm glad you're here. I don't think I could have made it through everything with Maylife without you.
SPEAKER_09
43:33 - 43:47
Have it helped. No, I have. What are you gonna do with? Or I guess when you get slip out of here?
SPEAKER_02
43:47 - 43:58
I... Well, I... To tell you the truth, I haven't spared even a moment's thought for that particular question.
SPEAKER_09
43:58 - 44:23
Future comes at you, whether or not you're ready for it. I think Mayla is probably dealing with that right now. Guess I'm gonna have to cross that bridge pretty soon, too. Ever since Stark matters to have a cart blanche, the Ruby and I have had a pretty one track mind. Find our family one by one. Well, here's the last one.
SPEAKER_02
44:23 - 44:32
How does one even decide what to do with with an entire life? I'm afraid I'm terribly out of practice.
SPEAKER_09
44:32 - 44:45
I don't know. I guess you just... Look to see if you have any unfinished business. And if you don't, you find some new business to start.
SPEAKER_02
44:45 - 45:02
Sounds so simple when you say it that way. But then, perhaps it is simple after all. Unfinished business. Do you know?
SPEAKER_06
45:06 - 45:23
Hey, I've got everybody running up and we're ready to go. Uh, I'm walking on something. No. No. Okay. Well, thanks again for helping us out of here. I'll do whatever I can to help you with, you know, slip.
SPEAKER_02
45:23 - 45:42
Thank you, melee. Well, you know, perhaps we should go. But we can, rather, I think we should talk more later soon. Right, right.
SPEAKER_09
45:42 - 47:02
Let's go. You ever get a feeling in your guts that a plan just isn't going to come through? When I look back, I think I had a little bit of that back in the old town days when me and Mick and Sasha would talk about meeting up again 20, 40, 50 years later, like no time at all had passed. The future belongs to promises and the presence to reality. And sometimes when the latter crashes up against the former, fate turns into a liar. Narayav and I wouldn't breach that topic again soon, is what I'm saying. There was a long, hard road we'd have to walk in the meanwhile. And a big question about who the hell we'd be when we got to the end of it. It started on our way out of a vopolis. Melee had gathered the survivors together in a group ahead of us, and there were only a couple of lights to go around so the group had taken him. That left us, mostly, walking in the dark. In my head. There was this feeling in my head, this pain that I couldn't pin and couldn't shake. It was the same high pressure feeling I'd had before climbing the rope up to where the executives were.
SPEAKER_02
47:02 - 47:05
Do you know, are you alright? You're slowing down.
SPEAKER_09
47:05 - 47:11
I mean, I think so. I don't know what would be wrong. No.
SPEAKER_06
47:13 - 47:18
Maybe it's difficult to explain what that headache felt like because it wasn't really an ache.
SPEAKER_02
47:18 - 47:20
Not a physical one anyway.
SPEAKER_09
47:34 - 48:10
It felt like a solid core of dread to just dense as a bullet and big as a cannonball. Ready to push my skull open from the inside out. It was a feeling too big for me to hold and it definitely felt like a feeling too big for me to have come up with. And I realized just a second to light. That's because I hadn't come up with it. The Ruby 7 had, and then suddenly I saw what it saw. I felt what it felt out there in the dark, and it was a hell of a lot more than any of the rest of us were noticing.
SPEAKER_06
48:10 - 48:13
I'll help you drag him, but we have to keep moving. Get away.
SPEAKER_02
48:13 - 48:17
Exactly, Juno. Just keep walking and we'll get away. Wait for me. Now.
SPEAKER_09
48:21 - 48:41
I pushed at the one closest to me, which was Maylight, but I felt as clear as it was my own hand doing it. A molten tensile of the Ruby 7 push out of my pocket and push an array of away from me, too. Half a second later, and we would have been too late. For them, I mean, we were already too late for me. Or for the Ruby.
SPEAKER_11
48:41 - 48:42
Fire the stunnet!
SPEAKER_08
48:45 - 48:47
Juno!
SPEAKER_11
48:47 - 48:50
I said run. Get out of here. You and Sliv. All these people. Let me stand. I said move.
SPEAKER_09
49:11 - 50:06
Did he go? I'm not sure. It was too dark. My brain cramped full of too many volts for me to tell. And in the way that sometimes happens when you're about to lose consciousness. Trust me, I know. I've been in enough knock-down drag-out fights to have the experience. My mind was focused on one thing and one thing only. See, the Ruby 7 was still stretched out of my pocket when that stunt hit us. It had closed over me, but only part of it. But apparently, it couldn't take the strain of all that shock, because half of the would be severing was still in my pocket. But I could feel the other half, writhing and twisting and pain, on the ground when Rave's feet.
SPEAKER_08
50:06 - 50:46
If you've enjoyed this tale, please consider supporting the penumbras. You can do so by buying our merchandise. Just go to thepennumberpodcast.com and click on the store tenant. You can also make a one-time donation to the Penumbria Paypal at the Penumbar Podcast. Or, if you'd like to keep our stories running in the long term, we hope you will support us on Patreon. Every dollar helps. At just $4 per episode or higher, you will receive ad-free episodes two days before the public release. At the $7 level, you will gain access to behind-the-scenes content and production scripts. In at the $10 level, you will receive access to commentary tracks like this one, from actors Joshua Elon and Noah Simes and co-creators, Holly Takagi-Kanner and Kevin Vibert.
SPEAKER_05
50:47 - 51:23
Did they bite people? Did they eat like, you know, looking through zombie tropes and none of that really made any sense? And it also didn't particularly make sense given what we had set up for them to be especially super powered and anyway. And so we were like, well, how are they gonna kill people? And I was like, give them a gun. Give them a gun. So we gave them guns. And I find it upsetting. Mm-hmm. Well, it is. That is scary, Julie. Controversial take. Guns. Scary to me.
SPEAKER_09
51:23 - 51:25
Right. Yeah. Monster gun.
SPEAKER_08
51:28 - 53:37
We would like to give thanks to all who support us on Patreon, but especially to Casey, Juno Knox, Juno G. Esca, Bettina Trevino, Alim Muktadir, Brittany Potter, Sophia in Juno Adler, the Emeraldate of this podcast Ha Ha, the PI, the train and the Knights, Mr. Me myself and I, Nore, Kira, Jack M. Cohen, girl in the midnight sky, Thank you for your amazing work, Braylon. Hannah and Leah's adventures in gender shenanigans. The Lady Queen of your sounding off in the comments. Shelley Shroed. Kevin, please say butts on live recording. Thanks. Jamie. Rachel. Ocipite, Evitt Connie, Diana Cause, Benjamin Fisher, SCP Chloe, Desert Willow is never going to give Juno up, Rachel Howard, June Gashoku, Skyfire forever, the lady has claimed another one Jay Hall, James Evelyn, grateful for Ola, Liv Allen, Alice the Time Lord, in memory of Spiral Opal, Eden the Gay Bookworm, Michael David Smith, Saints Damien and the Moral dilemma of it all, Kiki's podcast patronage service, Caroline Sideman, Radius Elna, Rain and Pippin from the Glen Dimension. Karen Zeeh, Genetic, Cortu, Minchowski, Ash, Jamie Gunter, B. Flanagan, and Angel Acevedo for their incredibly generous contributions per episode. Thank you. This tale, Juno's steal in the terrible waste, was told by the following people. Joshua E. Laughn is Juno's steal, Noah Simes has Peter Nareiv, Kate Jones as Rita, Melody Pereira as melee, and Stuart Evans Smith as the executives. The Penumbro is created and produced by Harley Takagi-Hanner and Kevin Vibert. If you wish to know more about the full production team, you can read about them in the show notes of this episode. I'm afraid that as our time for today dear traveler, we hope you will join us again soon.
SPEAKER_00
53:44 - 54:12
This is the story of the one, as head of maintenance at a concert hall, he knows the show must always go on. That's why he works behind the scenes, ensuring every light is working, the HVAC is humming, and his facility shines. With Granger supplies and solutions for every challenge he faces, plus 24-7 customer support, his venue never misses a beat. Call, click Granger.com or just. Buy Granger for the one who get it done.