Transcript for Listen Now: Blame it on the Fame: Milli Vanilli

SPEAKER_00

00:00 - 01:09

In the 1980s, Frank Farion was writing high as a successful German music producer, but he was bored. German pop was formulaic, dull, and oh, so white. Frank had bigger dreams, American dreams. He wanted to create the kind of music that would rival larger than life artists like Michael Jackson or Run DMC. So he assembled a hip-hop duo, two once in a lifetime talents who were charismatic, full of sex appeal, and phenomenal dancers. The only problem, one very important element was missing, but Frank knew just how to fix that. Wondering new podcasts, blame it on the fame, dives into one of pop music's greatest controversies. Millie Vanilli set the world on fire, but when their adoring fans learned about the infamous lip syncing, their downfall was swift and brutal, but that isn't the whole story. With exclusive interviews from frontman Fab Morvan and his producers Frank Ferian and Ingrid Cigas, this podcast takes a fresh look at the exploitation of two young black artists. While many see this as a story of a scam gone wrong, Blame it on the fame tells the never-before-heard story of the man pulling the strings, and the trail of destruction he left in his wake. I'm about to play a clip from Blame it on the fame, Millie Vanilli, follow Blame it on the fame on the Wondering App, or wherever you get your podcasts.

SPEAKER_02

01:24 - 01:52

Two young men with silk scarves tied over their long black braids sat behind a long table. They leaned into the microphones and front of them and introduced themselves as... In front of them was a room full of reporters. But Rob looked cocky, like a debate club student who's never lost a tournament. And Fab, child Fab looked like he was about to shit his pants.

SPEAKER_03

01:52 - 01:57

For almost two years, Robin Fab had been two of the biggest pop stars on the whole planet.

SPEAKER_02

02:04 - 02:17

But just a few days ago, the entire world learned that they didn't sing a note on their own album. The album that won them, best new artist at the Grammys, and went six times platinum.

SPEAKER_01

02:31 - 02:38

I will describe it like this. You get something, but for that you make a pact with the devil.

SPEAKER_02

02:38 - 02:41

No one wanted to hear about a pact with the devil.

SPEAKER_03

02:41 - 02:49

Do you live in a project? If we wouldn't have accept that at the start, we wouldn't be still in Munich. I would still work at the McDonald's.

SPEAKER_01

02:49 - 02:51

A guy from the back shouted,

SPEAKER_02

03:02 - 03:09

Okay. Yeah talent would get you out. Robin Fap's manager needed to shut this down. Like now.

SPEAKER_03

03:09 - 03:13

Thank you very much.

SPEAKER_02

03:13 - 04:02

Thank you very much. The reporters started moving toward the exit. They were in a good mood. They had all just been handed by lines for front-page stories. These two, Robin Fab, had tried to get something for nothing, tried to fake their way to fame and fortune, and they'd been caught in a lie, and now rage is lie. It was a good story, but one black reporter in glasses didn't head toward the exit. He headed toward the reporter who yelled, your talent would get you out. Now it's hard to hear him over the crowd, but he's saying, spoken like a true white boy, talent, right? You can hear the next bit a little more clearly.

SPEAKER_00

04:02 - 04:04

You can hear that shit, wasn't true when you said.

SPEAKER_02

04:05 - 04:07

You knew that shit wasn't true when you said it.